Nikita Gale

 ( 1983, Anchorage)

Born in Anchorage, Alaska, United States
Lives and works in Los Angeles, California, United States


MFA New Genres| UCLA, Los Angeles, California, United States

BA Anthropology (Archaelological Studies) | Yale University, New Haven, Connecticut, United States

"My practice is often structured by long-term obsessions with specific objects, or classes of objects and the ways these objects gesture towards very specific social and political histories. I use ubiquitous consumer technologies as frameworks to consider how individuals potentially reproduce their relationships to objects within their relationships to psychic space and political, social, and economic systems.

Here, the term "reproduction" is as much a mechanical, technical process as it is a process rooted in sex, biology and the organic. On a more physical register, my work also points to the ways that objects can be understood as instruments that extend or amplify the body through a relationship to touch. Reproduction connects humans to a desire for extension and amplification both biologically and through industrial processes. My work is a proposal for what happens when physical and psychological relationships crash and coalesce through repetition and overlap. My recent work has specifically focused on the commodification of strategies of dissent and protest."

Nikita Gale
Group shows at Ceysson Gallery
Relics, Paris
September 06 - October 06, 2018

Solo Show

Commonwealth & Council, Los Angeles, United States
Keynote Drift, Atlanta Contemporary Art Center, Atlanta, United States
EXTENDED PLAY, 56 Henry, New York, United States

RIFF FATIGUE, Artist Curated Projects, Los Angeles, United States

LOW MAINTENANCE : i only believe in horsepower now (Graduate thesis exhibition), UCLA New Wight Gallery, Los Angeles, United States

Autographs, PARMER, Brooklyn, United States

White player : Niki, The Front, New Orleans, United States

1961, {Poeme 88}, Atlanta, United States

BOOLSH1T, Mint Gallery, Atlanta, United States

Group Show

Relics, curated by Ellie Rines, Ceysson & Bénétière, Paris, France
Made in L.A, Hammer Museum, Los Angeles, United States
Soft Focus, Reyes Projects, Detroit, United States

CULTURAL CAPITAL COOPERATIVE OBJECT # 1 & 2, Rodeo Gallery, London, United-Kingdom
Fictions, The Studio Museum in Harlem, New York, United States
Race, Love, and Labor, Paul W.Zuccaire Gallery, Stony Brook, New York, United States
Earputty, 56 Henry, New York, United States
Regrouping, LUX, London, United Kingdom

CULTURAL CAPITAL COOPERATIVE OBJECT #2, Rodeo Gallery, London, United-Kingdom
Occupy Space Differently, Ochi Projects, Los Angeles, United States

The Middle Future, Public Fiction, Paris, France
Rachel’s Killin’it, Zuckerman Museum of Art, Kennesaw, United States

As we were Saying, EFA Project Space (Elizabeth Foundation), New York, United States
Race, Love, and Labor, Samuel Dorsky Museum, New Paltz, New York, United States
Hearsay, Zuckerman Museum of Art, Kennesaw, United States
Rooted Movements, LMAK Projects, New York, United States
Foreword, Gallery 72, Atlanta, United States
The last Brucennial, Bruce High Quality Foundation, New York, United States

WORD !, Atlanta Contemporary Art Center (Decatur Book Festival), Atlanta, United States
Consuming Passions, (cur. Amanda Parmer) Hagedorn Foundation Gallery, Atlanta, United States
BLOW-UP, {Poem 88} Atlanta, United States
(in)complete, {TEMP}, New York, United States

Made in Woodstock VI, The Center for Photography a Woodstock, Woodstock, United States
Shared Southern Stories, Emily Amy Gallery, Atlanta, United States
Living Walls (Street Art Conference), Atlanta, United States
Still Figuring It Out, RAC, New York, United States
Linearity, Mint Gallery, Atlanta, United States
Breathing Room, School of Visual Arts, New York, United States
100,000 Cubicle Hours, Atlanta Contemporary Art Center, Atlanta, United States

*Ground Floor, Dashboard Co-op, Atlanta, United States
Irrational Exuberance : A Recession Art Show, The Invisible Dog Gallery, New York, United States



October 03, 2018