Peter Halley

Group shows at Ceysson Gallery
La Ligne Passée, Luxembourg
June 30 - September 16, 2012

Expositions personnelles

Prison, Disjecta, Portland, OR
Galerie Xippas, Geneva Switzerland
Galerie Thomas Modern, Munich (catalogue)
Peter Halley: Drawings, Four Decades, Gering and Lopez Gallery, New York
Peter Halley-- Works from the 80’s, Galerie Andrea Caratsch, Zurich
Gary Tatintsian Gallery, Moscow, Russia (catalogue)
Maruani & Noirhomme, Knokke, Belgium
Peter Halley: Prints, Zane Bennett Contemporary Art, Santa Fe, NM
Mary Boone Gallery, New York
Galerie Forsblom, Helsinki (catalogue)
Peter Halley, Early Work: 1982 to 1987, Mary Boone Gallery, New York
Peter Halley: New Paintings, Baldwin Gallery, Aspen, CO
Peter Halley: New Work, Waddington Galleries, London
Galerie Alain Noirhomme, Brussels (catalogue)
Peter Halley: Cells and Conduits (Paintings 1987-2002), El Sourdog Hex, Berlin
Galeria Javier Lopez, Madrid
Peter Halley/ Alessandro Medini, Galeria Massimo Minini,Brescia, Italy
Peter Halley, Monotypes, Galerie Thaddaeus Ropac, Salzburg
Peter Halley: Works for Projects, Galleria In Arco, Turin (catalogue)
Peter Halley, Banca BSI Italia, Turin (catalogue)
A Rebours, Collaboration with Matali Crasset, Galerie Thaddaeus Ropac, Paris
McClain Gallery, Houston, TX (catalogue)
Waddington Galleries/Modern Art Inc., London (catalogue)
Peter Halley/ Warren McArthur/ New Paintings/ Aluminum Furniture, Rohrer Fine Art, Laguna Beach, CA
Galerie Forsblom, Helsinki (catalogue)
Gary Tatintsian Gallery, Moscow (installation, catalogue)
Art & Public, Geneva
Drawings, Galeria Javier Lopez, Madrid
Baldwin Gallery, Aspen, CO
Imago Galleries, Palm Desert, CA
Peter Halley: Present and Past, Louisiana Art & Science Museum, Baton Rouge, LA (catalogue)
Galleria Cardi, Milan
Galerie Alain Noirhomme, Brussels
CAIS Gallery, Seoul (installation, catalogue)
“Peter Halley, Paintings 1995 – 2005,” Galerie Xippas, Athens (catalogue)
Galería Javier Lopez, Madrid
Galería Senda, Barcelona
Galería dels Angels, Barcelona
Galeria Presença, Porto, Portugal
Galerie Thaddaeus Ropac, Salzburg
Mary Boone Gallery, New York, NY
Galerie Alain Noirhomme, Brussels
“Conspiracy Theory,” Galerie Thaddaeus Ropac, Paris
Galería Javier Lopez, Madrid
Galleria Cardi, Milan (catalogue)
Imago Galleries, Palm Desert, CA
Mary Boone Gallery, New York, NY(installation)
Galería Senda, Barcelona
Galería dels Angels, Barcelona
Waddington Galleries, London (catalogue)
Numark Gallery, Washington, D.C.
Kevin Bruk Gallery, Miami, FL
Galleria Massimo Minini, Brescia, Italy (installation)
Galleria Gian Enzo Sperone, Rome (installation)
Baldwin Gallery, Aspen, CO
Galería Javier Lopez, Madrid (installation)
Galerie Thaddaeus Ropac, Paris
CAIS Gallery, Seoul (installation)
Grant-Selwyn Gallery, New York, NY
Waddington Galleries, London (installation, catalogue)
Alan Koppel Gallery, Chicago, IL
Paintings of the 1990s, Museum Folkwang, Essen, Germany (installation, catalogue)
Small Paintings, Galerie Bruno Bischofberger, Zurich
Jablonka Galerie, Cologne
Mario Diacono Gallery, Boston (catalogue)
Painting as Sociogram: 1981-1997, The Kitakyushu Municipal Museum of Art,Kitakyushu, Japan (catalogue)
Exploding Cell: Peter Halley, Soap Gallery, Kitakyushu, Japan (installation)
Paintings and Drawings, Tomio Koyama Gallery, Tokyo
MODULO, Lisbon
Ace Gallery, Los Angeles, CA
New Concepts in Printmaking 1: Peter Halley, The Museum of Modern Art, New York, NY (installation)
The Peter Halley Project, University Gallery, State University of New York, Buffalo, NY (installation)
Galerie Thaddaeus Ropac, Salzburg
Galleria Massimo Minini, Brescia, Italy (catalogue)
Galleria Gian Enzo Sperone, Rome
Paintings and Drawings, Baumgartner Galleries, Washington, D.C.
Prints, Edition Schellmann, Munich
Kohn Turner Gallery, Los Angeles, CA (installation)
Contemporaneacomo 2, Como, Italy (catalogue)
Galería Javier Lopez, Madrid (installation)
11, rue Larrey at Sidney Janis Gallery, New York, NY (catalogue)
Mario Diacono Gallery, Boston (catalogue)
Galerie Bruno Bischofberger, Zurich
Wall Installation, TZ Art, New York, NY(installation)
Exploding Cell, Edition Schellmann and Pace Prints, New York, NY
Galerie Thaddaeus Ropac, Paris (installation)
Drawings 1991-1995, The Frances Lehman Loeb Art Center, Vassar College,
Poughkeepsie, NY (catalogue) Traveled to: Greenberg Van Doren Gallery, St. Louis;
Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles, CA
Drawings 1977-1978, Schmidt Contemporary Art, St. Louis, MN
Peter Halley - Paintings: 1980-1981, Turner, Byrne & Runyon, Dallas, TX
Encounters 6, Dallas Museum of Art, Dallas, TX(installation)
Galerie Bruno Bischofberger, Zurich
Monoreliefs, Grand Salon, New York, NY(catalogue)
The Broad Art Foundation, Santa Monica, CA
Jablonka Galerie, Cologne
Turner & Byrne, Dallas, TX
Peter Halley: New Project, Edition Schellmann, New York, NY
The Broad Art Foundation, Santa Monica
Works on Paper, Art & Public, Geneva
Gagosian Gallery, New York, NY
Galerie Thaddaeus Ropac, Paris
Peter Halley: Paintings 1989-1992, Des Moines Art Center, Des Moines, IA (catalogue)
Michael Kohn Gallery, Santa Monica
Drawings, Galería Senda, Barcelona
Rhona Hoffman Gallery, Chicago, IL
Galerie Bruno Bischofberger, Zurich
Drawings, Jason Rubell Gallery, Palm Beach, FL
Peter Halley: Oeuvres de 1982 á 1991,CAPC Musée d'Art Contemporain,
Bordeaux, France (catalogue) Traveled to: FAE/Musée d'Art Contemporain, Pully/Lausanne, Switzerland, 1991-1992 (catalogue); Museo Nacional Centro de Arte Reina Sofia, Madrid, 1992 (catalogue); Stedelijk Museum, Amsterdam, 1992
Kodaliths, 303 Gallery, New York, NY
Daniel Weinberg Gallery, Santa Monica, CA
Jablonka Galerie, Cologne
Mario Diacono Gallery, Boston, MA(catalogue)
Relief Sculpture, Michael Kohn Gallery, Santa Monica, CA
Sonnabend Gallery, New York, NY
Peter Halley: Recent Paintings, Krefelder Kunstmuseen, Museen Haus Esters,
Krefeld, Germany (catalogue)
Traveled to: Maison de la Culture et de la Communication de Saint-Etienne, Saint-Etienne, France; Institute of Contemporary Art, London (catalogue); Galleria Lia Rumma, Naples, Italy
Rhona Hoffman Gallery, Chicago, IL
Galerie Bruno Bischofberger, Zurich
Jablonka Galerie, Cologne (catalogue)
Margo Leavin Gallery, Los Angeles, CA
Sonnabend Gallery, New York, NY
Galerie Daniel Templon, Paris (catalogue)
International with Monument, New York, NY
International with Monument, New York, NY
Beulah Land, New York, NY
“Peter Halley: Post-Classical Paintings and Drawings,” P.S. 122, New York, NY(installation)
School of Art & Architecture, University of Southwestern Louisiana, Lafayette, LA
Contemporary Art Center, New Orleans, LA

------, Peter Halley “Judgment Day”: An Installation in Personal Structures at the Venice Biennale,, June 21, 2011, Venice, Italy.
Dimant, Elyssa, Minimalism and Fashion: Reduction in the Postmodern Era, HarperCollins, pp. 204-206, New York, NY.
De Jongh, Karlyn and Sarah Gold, Personal Structures, La Biennale di Venezia, 2011, exhibition catalogue, Global Art Affairs Foundation, pp.42-47, Bonn, Germany
Ciscar Casaban, Consuelo and Francisco Calvo Serraller, Obras Maestras de Pintura en la Colección del IVAM. Pasado, Presente y Futuro,exhibition catalogue, IVAM, pp. 160-261, Valencia, Spain.
----, PMLA: Publications of the Modern Language Association of America, March 2011, No. 2, p. 304, New York. (cover)
Johnson, Ken, “Uptown, a Jumble of Treasures,” The New York Times, April 22, p. C32.
Schiera, Claudia, “ Linguaggio Contemporaneo,” Side Magazine, May 2011, Issue # 5, p.72, Milan.
------, Book Moda, p.1 (cover) and p.42, N.111, Milan.
Inal, Güseli,''Contemporary Istanbul,” Yapi, January, p.162 and p. 350, Istanbul.
Melrod, George, and Christostpher Miles, Goldmine, exhibition catalogue, University Art Museum, California State University Long Beach, p.69, Long Beach, CA.


Fuller, Graham, “BZ & Michael Schwartz, Art as Family,” 80s, 17 December 2010, auction catalogue, Phillips De Pury, p.34 and p.37, New York.
Tarnogradskaya, Elvira, “Peter Halley: The Discipline of Ideal Proportions,”, September 29, Moscow.
Kulik, Irina, “I Do Not Believe in the Linear History of Art,” Culture, Kultura Limited section, September 9- October 6, p.7, Moscow.
Murashkina, Raisa, “Famous American Artist Peter Halley Has Taken Interest in Russian Icons,” Komsomolskaya Pravda,, October 20, Moscow.
Zacharov, Denis, “A in His Geometry Course,” Itogi, September 20th, p.76, Moscow.
Novozhenova, Aleksandra, “I Felt that My Prints Were Almost a Premonition of September 11th” Artchronika, October, pp. 54-59, Moscow.
Frolov, Oleg, “Interview: Peter Halley,” Populist, N. 1, December 2010, pp.2-6, Moscow.
De Jongh, Karlyn “Interconnection and Isolation. Peter Halley in an interview with Karlyn De Jongh – Part 1” Dart International, No. 27, Fall 2010, 32-34. Reprint of 2009 interview, Personal Structures: Time Space Existence, ed. Peter Lodermeyer, Karlyn De Jongh, Sarah Gold, DuMont Buchverlag, pp.276 – 281, Cologne.
------, “ Schaufwerk, Sindelfingen: 100 artists --100 works—100 positions,” Schaufwerk (Collection Schaufler), Sindelfingen, collection catalogue, Dumont Buchverlag, Köln, and the Schaufler Foundation, Sindelfingen, pp. 58-59, Germany.
Onnasch, Reinhard, Susanne Lenze, Susanne Jensen, El Sourdog Hex: Nineteen Artists, exhibition catalogue, Kerber Verlag, pp. 160-171, Bielefeld, Germany.
Maine, Stephen, exhibition review, Art in America, June-July, pp.182-183, New York.
Trezzi, Nicola, exhibition review, Flash Art, May-June, p. 113, Milan.
Kellein, Thomas, The 80s Revisited: Collection Bischofberger, exhibition catalogue, Dumont Buchverlag, pp. 262-275, Köln, Germany.
Schellmann, Jorg, Julienne Lorz, Forty Are Better Than One, Hatje Cantz Press, pp.132-133, 378, 401, Ostfildern, Germany.
------, Global New Art: Taguchi Art Collection #01, Bijutsu Shuppan-Sha Co., LTD, pp. 47-48, Tokio, Japan.
------, “Contemporary Istanbul,” RH+artmagazine, January issue, p.43 and p.45, Istanbul.
Tate Angel, Carolyn, “Fine Art Echoes at Balenciaga,”, March 5, 2010.
Wilson, Michael, exhibition review, Timeout New York, March 4, p. 36, New York.
------, “Proof is in the Pink,” Timeout New York, February 25, p. 45 and p. 46, New York.
Rubin, David, Robert C. Morgan, Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue, the San Antonio Museum of Art and MIT Press, San Antonioand Boston.


Schambelan, Elizabeth, exhibition review, Art Forum, December, pp. 228-229, New York.
Carrier, David, “Peter Halley Early Work: 1982 to 1987 at Mary Boone,”, October 2009.
Schleussner, Laura, exhibition review, Flash Art, November, p.100, Milan.
Ardenne, Paul, Art, The Present: the work of art at the turn of the 21st century, Edition Du Regard, p.168, Paris.
Bjone, Christian, Art and Architecture, Birkhauser Verlag AG, p.172, Basel, Boston, Berlin.
Meneguzzo, Marco, The 80’s: An Italian Perspective, exhibition catalogue,Silvana Editoriale, pp. 188-189, Milan.
Bonham-Carter, Charlotte and David Hodge, The Contemporary Art Book, Carlton Books, p. 97, London.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Museum of Modern Art, p 138, New York.
Meixner, Christiane, Christiane Meixner Is Interested in a Painter without a Concrete Subject, Der Taggespiegel, Art and Market Section, July 4, 2009, No. 20 309, Berlin.
Negre, Louis and Sean J. Rose, When the First Intoxication of Loud Success… exhibition catalogue, CAPC Museum of Contemporary Art, p.27, Bordeaux.
------, Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels.
Aupetitallot, Yves, Images and (Re)presentations: The Eighties, Second Part, exhibition catalogue, Le Magazine, National Center of Contemporary Art, p. 177, Grenoble.
De Toledo, Amaya, “An Engine to Live,” Architectural Digest (Spanish edition), June 2009, N. 37, p. 1.
Hinrichsen, Jens, “The Collector Reinhard Onnasch Shows Classics of the Present in an Exhibition Space in Berlin,” Tagesspiegel, June 6, 2009, p. 27, Berlin.
Dotti, Marco, “Disintegrated Circuits: The Paradoxes of the Crisis According to Peter Halley,” Il Manifesto, May 24, 2009, p.11, Rome.
Vatner, Jonathan, “For New Hotels, Art Isn’t Merely Decoration,” The New York Times, May 3,2009, Section 2, p.2, New York.
Gardner, James, “The Medium is the Message,” The Wall Street Journal, March 24, 2009, p. D7, New York.
Gerosa, Maria, Architectural Digest (Italian edition), February 2009, N. 333, p. 1 and p.114.
Hinds, Katherine, Kertess Klaus, Martin Margulies and Peter Plagens, The Martin Z. Margulies Collection. Painting and Sculpture, The Martin Z. Margulies Foundation, 2009, Miami.
------,Ryan McGinness Works, Rizzoli International, 2009, New York.


Fine , Ruth, Fifty Works for Fifty States, exhibition catalogue, The Dorothy and Herbert Vogel Collection, The National Gallery of Art, p.188, Washington D.C.
Saiardi, Roberta," The Big Bang? It is at the Bilotti Museum. The secrets of the cosmos in a group exhibition," Romanotizie, June 25, Rome.
Larcan, Laura, "When art resembles science and the 'big bang' is a museum piece," La Repubblica, July 2, Rome.
Mercurio, Gianni, The Big Bang, exhibition catalogue, Museo Carlo Bilotti, pp. 72-83, Rome.
Politi, Giancarlo, “Peter Halley At the End of History,” interview, Flash Art, July – September, pp. 164-167, Milan.
Lorenzi, Fausto, “Peter Halley and Alessandro Mendini, Life Imprisioned and Liberated by Geometry,”
Giornale di Brescia, March 19, 2008, Brescia.
Ghilardi, Silvia, “Exchanges of Views (and of Colors),” Il Brescia, March 20, 2008, Brescia.
Paton, William, “Peter Halley/ Dream Game,” The New, Christies, Mason & Woods, Ltd.,London.
“Contemporary Art,” The Columbia Encyclopedia, Sixth Edition, Columbia University Press, New York.
Vogel, Peter, “Peter Halley, An Artist and His City,” Parnass Kunst Magazine, pp. 78-85, Vienna.
Koestenbaum, Wayne and Luca M. Yenturi, Peter Halley, exhibition catalogue, BSI Art Collection, Turin.
Paparoni, Demetrio, “Peter Halley. Landscapes from Life,” Peter Halley Works for Projects, exhibition catalogue, Galleria In Arco, Turin.
Frei, Georg, Abstract Vision, exhibition catalogue, Thomas Ammann Fine Art AG, pp. 16-17, Zurich.


Peter Halley, exhibition catalogue, Waddington Galleries, London.
27th Biennial of Graphic Arts, exhibition catalogue, International Centre of Graphic Arts, Ljubljana, pp. 168-171.
Inal, Güseli, “Acid Colors & New Geometry: Peter Halley,” Artist actual, September, pp. 42-44.
Puri, Madhu, “Block Party,” Interview, October, p. 128, New York.
Bates, Anna, “Matali Crasset,” Icon Eye, Essex, U.K.
------, Create Your Own Museum, exhibition catalogue, Gary Tatintsian Gallery, Moscow, pp. 91-94.
------, Peter Halley, exhibition catalogue, Waddington Galleries, London.
Feinberg, Jody, “Young Minds, Strong Hearts MFA Taps Into Teen Interns’ Powerful Emotions to
Interpret Works of War,” The Patriot Star Ledger, May 29, 2007, Quincy, MA.
Klaasmeyer, Kelly, “Peter Halley: New Paintings,” The Houston Press, April 12.
Lütticken, Sven, “Black Bloc, White Penguin: Reconsidering Representation Critique,” Artforum, March, pp. 299-303, New York.
------, Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston.
------, Passion for Art: 35th Anniversary of the Essl Museum Collection, exhibition catalogue, p. 201, Edition Sammlung Essl, Vienna.
Houston, Joe and Dave Hickey. Optic Nerve: Perceptual Art of the 1960s, exhibition catalogue, Merrell, London. Cherix, Christophe and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, pp. 6, 8-11, Cabinet des Estampes, Geneva.
Wiehager, Renate and Claudia Seidel. Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, exhibition catalogue, pp. 289-290, Hatje Cantz Verlag, Ostfildern, Germany.
Luoto, Susanna, ed., Galerie Forsblom: Since 1977, pp. 5, 81, 142-143, Helskini.
von Oppenheim, Jeane Freifrau, ed., Sal Oppenheim: 10 Years Collection, p. 226, Luxemburg.
------, Masterpieces, CAPC Musée d'Art contemporain de Bordeaux, CAPC Musée d'art Contemporain de Bordeaux, p. 144-145, Bordeaux.
Lowry, Glen, MoMA Highlights since 1980, The Museum of Modern Art, p.152, New York.
Gureli, Ali, Contemporary Istanbul, art fair catalogue, Contemporary Istanbul Art Fair, Istanbul.


Mavrommatis, Emmanuel, Peter Halley, 1995-2005, exhibition catalogue, Galerie Xippas, Athens.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
Danziger, Jo-Anne Birnie, ed., Villa Stuck, p. 366, Hatje Cantz Verlag, Ostfildern, Germany.
Idees de la Peinture: Hommage à Martin Barre, exhibition catalogue, pp. 32-33, Galerie Nathalie Obadia, Paris.
Baraz, Yahsi, “Peter Halley and the Turkish Collectors.” rh+san art. June, pp. 61-63.
Pop Art 1960s-2000s: From Lichtenstein, Warhol to the Current Generation. Seiji: Yomiuri Shimbum, Japan Association of Art Museums, 2006.
Erickson, Ruth ed. 30 Years of New Graphics From The Jewish Museum. Burlington: Burlington City Arts, 2006.
Cheetham, Mark A. Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s. New York: Cambridge University Press, 2006.
Grant, Daniel, “Halley’s Constellations.” Art Market section, ARTnews. April, Vol. 105, No. 4, p. 102.
Gorlenko, Anton, "Concrete Abstraction," Aficha. May, p. 133.
------, “Geo-Graphic.” A Priori, May, p. 130.
------, “CONTACT: Peter Halley,” Time Out Moscow. May 15, p. 89.
Bylinsky, Valery, “Squares by Peter Halley.” Leisure & Entertainment. May 18, p. 55, Moscow.
Spears, Dorothy. “The First Gallerists Club.” The New York Times. June 18, Late Edition, Section 2, p. 1.
Radio interview with Jim Baker, Anderson Ranch. Aspen Public Radio, March 2.


Michlin, Spencer, “The Art of Flying.” American Way, July 15, p. 32.
Kostadinidi, Krista, "Peter Halley The Intellectual Painter of Abstraction." Estia, April 18, p. 7.
Gianousi, Natasa, "The Geometric Abstraction of Halley," Ethnos, April 17, pp. 16-17.
Maragou, Maria, "Skills." Eleftherotypia, April 11, p. 24.
Zenakos, Avgostinos, "My Paintings are Diagrams." To alo Vima in Vima, April 10, p. 38.
Sakalis, Phivos, "Geometries of Thought & Feeling." Gyneka, April, pp. 142 - 149.
Zenakos, Avgostinos, "Color in our Lives." Vimagasino in Vima, March 27, pp. 20-21.
Panagoulis, Stathis, "Samaras & Halley." Time Out Athens, March 31, p. 65.
Lacayo, Richard, “How Does 80’s Art Look Now?” Time Magazine, March 28, pp. 58-62.
Nomblot, Javier Rubio, “Celdas y cubículos arquitecónicos (Architectural Cells and Cubes).” Cultural, April 2, p. 30.
Fontavo, Rosario, “Peter Halley expone siete cuadros en dos galerías de Barcelona (Peter Halley Shows Seven Paintings at Two Galleries in Barcelona).” Interview. El Periódico, March 16, p. 71.
Cuesta, Elena, “Peter Halley trae a Barcelona su reflexión sobre la communicación entre los individuos (Peter Halley Shows his Reflection on the Communication Between Individuals in Barcelona).” El Mundo, March 16, p. 58.
Spiegel, Olga, “La pintura geométrica puede reflejar la sociedad de hoy (Abstract-Geometric Art can Reflect Today’s Society).” Interview. La Vanguardia, March 16, p. 44.
Porcel, Violant, “Un paraíso sin edén (A Paradise Without Eden).” La Vanguardia, May 4, p. 20.
Bosco, Roberta, “Peter Halley exhiba su obra en tres galerías españolas de forma simultánea (Peter Halley Simultaneously Shows his Work at Three Spanish Galleries).” El País, March 17, p. 33.
Hiromoto, Nobuyuki, ed. Contemporary Voice: The Contemporary American Art from the Misumi Collection. Tottori: Tottori Prefectural Museum, 2005.
Grachos, Louis and Claire Shcneider. Extreme Abstraction. Buffalo: Albright-Knox Art Gallery, 2005.
Meinhardt, Johannes, ed. Pintura: Abstracção Depois da Abstracção. Portugal: Coleção de Arte Contemporanea Publico, 2005.
Moos, David, ed. The Shape of Colour: Excursions in Colour Field Art 1950-2005. Toronto: Art Gallery of Toronto, 2005.
Pace Wildenstein. Logical Conclusions: 40 Years of Rule-Based Art. New York: Pace Wildenstein, 2005.
Perry, Vicky. Abstract Painting: Concepts and Techniques. New York: Watson Guptill, 2005.
Richer, Francesca and Matthew Rosenzweig, ed. No. 1: First Works by 362 Artists. New York: Distributed Art Publishers, Inc., 2005.


Dan Cameron, Liza Kirwin, Alan W. Moore, “East Village USA”, catalogue, p. 143, New Museum of Contemporary Art, New York.
Redding, Mary Anne, “Visions of America: American Art and Identity (Amerikanische Kunst und Identität)”, catalogue, p. 141, 255, Sammlung Essl, Vienna.
Debailleux, Henri-Francois, “Weekend Rencontre: Je suis une sorte de réaliste dans une société abstraite (Weekend Encounter: I’m a Kind of Realist in an Abstracted Society).” Interview. Liberatión, July 17, pp. 42-43.
Spector, Nancy and Lisa Dennison. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. catalogue, The Guggenheim Museum, March 5–May 19, New York.
Glueck, Grace, “With Artists Among Alumni, a School can be a Collector.” The New York Times. July 6, p. 38.
Rimanelli, David, “High Art.” House and Garden, June, pp. 104-109.
Troncy, Eric, “Cométe des Eighties.” Numéro, March, pp. 318-321.
Figura, Starr. Artists and Prints: Masterworks from the Museum of Modern Art. New York: The Museum of Modern Art, 2004.
Richards, Judith Olch. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International, 2004.


Garret, Craig, “The Industrial Art: Peter Halley, Bill Charles, and Neville Wakefield Discuss the Multiple Trajectories of Contemporary Photography.” Interview. Flash Art International, Nov./Dec., pp. 57-59.
Garret, Craig, “Coerced Confessions.” Flash Art International, Nov./Dec., pp. 72-75.
Kim, Sheila, “Blast From the Past.” Interior Design, October, p. 62.
Armaos, Georges, “Postimpact.” Portalakis Collection, October, pp. 33-40.
Kojima, Yayoi, “We Love Painting!” Invitation, March, p. 164.
Kojima, Yayoi, “A Flag Bearer of American Abstract Painting is Still Running.” Esquire Tokyo, March, p. 192.
Kae, Shigeo, “Tokyo Shows Reveal Subtle Art of Collecting Masterpieces.” The Asahi Shimbun, January 24, p. 29.
-----, “Why Don’t You…See This (Art).” Harpers BAZAAR Tokyo, March, p. 176.
Cameron, Dan, “80’s Then: Peter Halley Talks with Dan Cameron.” Artforum, March, p. 212.
-----. “ESKY Art.” Ryuko Tsushin, March, p. 139.
Battistini, Matilde, “Lá Dove il Rosso é George W. Bush.” il Diario, March 14, pp. 58-61.
Beatrice, Luca. Peter Halley. Milan: Galleria Cardi & Co., 2003.
McGee, John, “We Love Painting!” METROPOLIS, February 14, p. 12.
Shirasaka, Yuri, “Art Museum: We Love Painting!” Katei-Gahoh, February, p. 130.
Fukuda, Yutaka, “Brilliant Collection of Contemporary Art of US.” Diamond, February 1, pp. 110-111.
-----. “We Love Painting!” Geijutsu-Koron, January, p. 196.
-----. “Preview: We Love Painting!” Bijutsu-Techo, January, p. 270.
Nagai, Asami, “Workplace Art? Sounds Almost Too Good to be True.” The Daily Yomiuri, January 16, p. 34


Weinberg, Adam D. “Treasures of the Addison Gallery of American Art.” New York: Abbeville Press, 2002.
Jacovini, Joanna, “Bright Lights, Bold Fashion.” Interview, December, p. 6.
Rosenblum, Robert, “Best of 2002.” Artforum, December, pp. 128-129.
Boyce, Roger, “Lock-Ups and Aftershocks.” Art in America, November, pp. 128-129.
Paparoni, Dimitrio. “Art, Space and its Repetition.” Interview. Lucio Fontana, Galleria In Arco, Turin
Carier, David, “Peter Halley.” Tema Celeste, September, p. 92.
Silva, Melinda Rose, “Peter Halley’s Mini Adventure.” Contemporary, September, pp. 60-61.
Oliveras, Jaume Vidal, “En el Labertino de Peter Halley.” El Cultural, September, p. 32.
Cash, Stephanie and David Ebony, “Artworld.” Art in America, June, p. 144.
Smith, Roberta, “Peter Halley: Mary Boone Gallery.” The New York Times, May 10, p. E 30.
Smith, Roberta, “A Profusion of Painting, Very Much Alive.” The New York Times, May 10, p. E33, E43.
Colman, David, “ When Inside Out Equals Outside In.” The New York Times, May 5, section 9, p. 9.
Tuttle, Richard, “Cosmic Relief.” Artforum, February, pp. 116-121.
Godfrey, Tony, “At Waddington.” The Burlington Magazine, January, p. 48.


Schwartz, Sheila, “American Visionaries: Selections from the Whitney Museum of Modern Art.” Whitney Museum of Modern Art, p. 127, New York.
Gayford, Martin, “Peter Halley on Picasso’s Still Life on a Pedestal Table.” The Daily Telegraph, November 3, p. A10.
Rackham, Elisabeth, “Peter Halley Paintings”, catalogue, October 18 – November 17, 2001, Waddington Galleries, London.
Weg Vander, Kara, “What is Pop Art?” GQ, September, p. 360.
Casadio, di Mariuccia, “Superfluo.” Vogue Italia, June, p. 185.
Moreno, Gean, “Mythic Proportions.” Flash Art, May-June, pp. 146-47.
Wallach Amei, “Reassessing an Era When Excess Was the Norm.” The New York Times, Arts & Leisure, 29 April, p. 38.
Casadio, di Mariuccia, “Art Working.” Casa Vogue, April.
Nagasawa, Akio, Esquire Japan, January, Vol. 15, No. 1.


Spada, Sabina, “ Le Monadi di Halley.” Arte, December, pp. 120-124.
Affaticati, Andrea, “Edizioni di Lusso.” Vogue Italia, December, p. 78.
Princenthal, Nancy, “Artist’s Book Beat.” Book review. Art On Paper, July-August, pp. 70-71.
Schwabsky, Barry, “Speed Reading.” Book review. I.D. Magazine, June, p. 36.
Casadio, Mariuccia, “Into Gold.” Casa Vogue, April, p. 172.
Mauk, Laura, “Horses Mouth.” Bookforum, Summer, p. 9.
Harris, Jane, “Peter Halley: Maintain Speed.” Book review. Bookforum, Fall, p. 19.
Seafree, J., “Peter Halley.” La Brocha, March.
Jimenez, Jose, “Geometria y Critica Social.” El Mundo, February 12, p. 16.
Carpio, F., “Vil Geometria.” La Razon -- El Caballo Verde, February 25.
Murria, Alicia, “Peter Halley.” Lapiz, No. 161, p. 81.
Navarro, Mariano, “Peter Halley.” El Mundo, February 27.
Nemeczek, Alfred. Das Bild der Kunst. Hamburg: Verlag Gruner + Jahr, 1999.
Siegel, Jeanne. Art Talk. New York: Da Capo Press, 2000.
Hills, Patricia, ed. “Nature and Culture,” reprinted in Modern Art in the USA: Issues and Controversies of the 20th Century. Upper Saddle River, NJ: Prentice-Hall, 2000. Patricia Hills, editor, p. 342, New Jersey.
Reynolds, Cory, ed. Maintain Speed. New York: Distributed Art Publishers, Inc, 2000.
Schwarz, Arturo. Utopia’s Diagrams. Milan: Tema Celeste, 2000.


Coles, Alex, art/text, no. 67, p.82, Los Angeles.
Yun, Tai-gun and So-Young Lee. “Peter Halley”, catalogue, October 8th-November 5th, 1999, C.A.I.S Gallery, Seoul.
------, "Interview with Peter Halley.” art magazine, November, p. 97.
Yun, Tai-gun, “Peter Halley exhibition review.” ARTWORLD. November, p. 181.
------, "Exhibition Highlight.” Wolgan Misool, November, p. 156.
Wanderbeiten, Architekturbezogene. Wall Works. Munich: Edition Schellman, 1999.
Sullivan, John, "Peter Halley Exhibit Delivers Message of Caution Modern Development.” The Korea Herald, 3 November 1999.
Paparoni, Demetrio, "Peter Halley: Waddington Galleries, Londra; Grant Selwyn Fine Art, NewYork.” Tema Celeste, August/September , pp. 75-76.
Birnbaum, Daniel, "Peter Halley: Grant Selwyn Fine Art, New York.” Artforum, September, p. 163.
Koestenbaum, Wayne, “Peter Halley”, catalogue, Waddington Galleries, April 28 – May 28, London.
Collings, Matthew, “Higher Beings Command: Peter Halley.” Modern Painters, Summer, p. 63.
MacAdam, Alfred, “Peter Halley: Grant Selwyn Fine Art.” Artnews, Summer, p. 153.
Smolik, Noemi, “Peter Halley: Das Werk als eine Superstruktur.” Kunstforum International, May-June, No. 145, pp. 305-311.
Kent, Sarah, "Waddington's.” Time Out London, May 19-26.
"Halley's Comment.” The Guardian, April 24-30.
Ermen, Reinhard, “Peter Halley.” Kunstforum International, March/April, No. 144, pp. 353-354, Cologne.
Imdahl, Georg, “Revolte im Gefängnis der Geometrie.” Frankfurter Allgemeine, January 4.
------, “Digital Fields.” Kunst Aktuell, December/January 1999.


Collings, Matthew, “Life of Riley: Peter Halley.” It Hurts: New York Art from Warhol to Now, London: 21 Publishing.
------, “Peter Halley.” noëma, October/November, p. 49.
Behrens, Katja, “Geometrie-Paranoia.” Marabo, December 1998.
------, “Digital Fields.” Kunst Aktuell, December/January 1999.
------, “Vieldeutige Farbfelder”, Der Spiegel, December 1998.
Finckh, Gerhard. Peter Halley. Museum Folkwang Essen, November 22 – January 24, Essen.
Nebelung, Sigrid, “Im Netz der Leitungen und Kabel.” Art Das Kunstmagazin, December 1998.
Hoffmans, Christiane, “Die Welt ist Geometrie.” Welt am Sonntag, November 22.
Nishizawa, Midori. Peter Halley, Painting as Sociogram 1981-1997. catalogue, February 28 – March 29, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan.
Krause, Manfred, “Das Labyrinth der Technik:Halleys ‘Neo-Geo’ in Essen.” Westdeutsche Allgemeine, November 27.
Schenk-Güllich, “Starke Farben auf Bildern und Wänden: Peter Halley im Museum Folkwang.” Neue Ruhr Zeitung, November 23.
Princenthal, Nancy, “Peter Halley at the Museum of Modern Art.” Art in America, May, p. 121.
Matsui, Midori, “Getting Out of the Cell: Peter Halley’s Thinking Geometry.” Bijutsu Techo, May, Vol. 50, No. 775, pp. 97-108.
“Peter Halley al MoMA.” Tema Celeste, March, No. 66.


Rosenblum, Robert, “Top Ten.” Artforum, December.
Shaviro, Steven, “New Concepts in Printmaking I: Peter Halley.” On Paper, November/December.
Smith, Roberta, “Museums.” The New York Times, November 14, Weekend Section.
Kayabal, Asli, “Halley Geilyor.” YeniYuzyil, Kasim 2.
------. “Peter Halley Turidye’ye Gallyer.” Cumhuriyet, October 30.
Smith, Roberta, “Peter Halley, New Concepts in Printmaking I.” The New York Times, October 24.
Levin, Kim, “Jailbreak.” The Village Voice, October 14, Vol. XLII, No. 41.
Newhall, Edith, “On View, The Halley Files.” New York Magazine, September 29.
Ozdogru, Nuvit, “Ronesans Oncesinden Neo-GeoYa Sanat Zinciri.” Milliyet Sanat, Nisan 1.(Istanbul)
Caramel, Luciano, “Halley L’Anti-Idealista.” Quadri & Sculture, February/March, No. 24.
Sarje, Kimmo, “New York Neurosis.” Siksi, Vol. XII, No. 1, Spring. (Helsinki)
Spada, Sabina, “Peter Halley.” Tema Celeste, Spring. (Milan)
Panzera, Mauro, “Peter Halley.” Flash Art, Italian edition, April/March. (Milan)
Bini, Ida, “La Cometa Neo-geo di Halley Transita in Italia.” Arte Mercato, February. (Milan)
Lorenzi, Fausto, “La Fredda Cometa di Peter Halley.” Giornale di Brescia, February 12. (Brescia)
Fiz, Alberto, “Roma e Brescia, I Percorsi Invisibili di Peter Halley.” Madame, February. (Milan)
Fiz, Alberto, “Halley, il Neoastratto”, ItaliaOggi, February 22. (Milan)
Allan, Janet, “New Magazine with a Touch of Andy Warhol.” The New York Times, July 20.
Milazzo, Richard, ed. Peter Halley: Recent Essays, 1990-1996. New York: Edgewise Press, 1997.


------, “Halley, los 16, Miguel Moreno, Marqués.” El Punto, December 20. (Madrid)
Navarro, Mariano, “Imagenes de Peter Halley.” ABC de las Artes, December 13. (Madrid)
Mazorra, Javier, “La Obra de Peter Halley Inaugura una Nueva Sala en Madrid.” El Mundo, December 12. (Madrid)
Nespolo, Ugo, “Sotto i Raggi X di Peter Halley.” La Stampa, August 26. (Turin)
Schjeldahl, Peter, “Balling.”The Village Voice, July 30.
Pagel, David, “A Union of Pop, Minimalism That’s Over the Top.” The Los Angeles Times, May 15.
Sack, Warren, “Painting Theory Machines.” Art and Design, No. 48.
Protzman, Ferdinand, “Everyday Abstractions.” The Washington Post, March 9, p. H2.
Smith, Roberta, “Art in Review: Screen, Friedrich Petzel Gallery.” The New York Times, February 2, p. C26.
Coles, Alex & Richard Bentley, ed. “Against Postmodernism: Reconsidering Ortega.” Ex-Cavating Modernism, Vol 1. London: BACKles Books, 1996.


Stapen, Nancy, “Peter Halley’s Feel-Bad Art for an Oppressive Culture.” The Boston Globe, December 7, p. 72.
Riminelli, David, “Reviews - Peter Halley at Sidney Janis Gallery.” The New Yorker, December 4, p. 20.
Thompson, Lauri, “Peter Halley: Drawings 1991-1995.” Greenberg Van Doren Gallery, January 1.
Rian, Jeff, “Peter Halley Makes a Move.” Flash Art, October, pp. 89-92, 128. (Milan)
Artner, Alan, “Art, Clarity and Color Charge Halley Drawings.” Chicago Tribune, August 25, p. 52.
Karmel, Pepe, “Art in Review, Peter Halley at Pace Wildenstein and TZArt.” The New York Times, October 6, p. C32.
Karmel, Pepe, “Art in Review, Peter Halley & Ettore Sottsass at Jay Gorney Modern Art.” The New York Times, July 21, p. C23.
Nuridsany, Michel, “Halley: des Plans sur la Comete.” Le Figaro, May 16. (Paris)
Dagen, Philippe, “Galerie Thaddaeus Ropac.” Le Monde, May 14-15, p. 19. (Paris)
Isola, Marina, “Close Encounters.” The Met, March 2-9.
Isola, Marina, “Paintings 1980-1981.” The Met, March 2-9.
Cortes Cantillo, Lucia, “Representantes de la Abstraccion.” La Republica, January 19, p. 5. (San Jose, Costa Rica)
Dobles, Aurelia, “Cuatro Infinitudes.” La Nacion, January 18, p. 10. (San Jose, Costa Rica)


Rosenthal, Mark, “Critiques of Pure Abstraction.” Atelier Magazine, September, pp. 68-69. (Japan) (cover)
Giobbi, Cesar, “Persona.” Caderno2, Quarta-Feira, September 14, p. D6. (Sao Paulo)
Drolet, Owen, “Peter Halley/Grand Salon.” Flash Art International, October, Vol. XXVII, p. 95. (Milan)
Slonim, Jeffrey. “Sister Acts, Take Two.” Interview. ArtForum, March, p. 8.


Römer, Stefan, “Peter Halley”, Kunstforum, p. 351, Volume 123, Cologne.
Ziegler, Laurie, “The Ties that Bind”, New Art Examiner, Summer, pp. 12-17, Chicago. (cover)
Corris, Michael and Robert Nickas, “Punishment and Decoration, Art in the Age of Militant Superficiality.” Artforum, April, p. 81.
Warren, Charles, “Seize the Apparatus.” Tema Celeste, Spring, No. 40, pp. 45-49. (cover)
Saunders, Wade, “Making Art Making.” Art in America, January, No. 1, pp. 78-79.
Schwarz, Arturo, “Una Mostra Da Non Perdere.” Segno, No. 126, pp. 39-40.
Myers, Terry R. “Peter Halley.” Art Issues, January/February, No. 26, p. 38.


Paparoni, Demetrio, "About the Sublime Today." Interview. Tema Celeste, Winter, No. 34, p. 89.
Schwartz, Michael, "Peter Halley", interview, Galeries Magazine, Dec./Jan. 1992, pp. 78-87, Paris.
Siegel, Jeanne, “Peter Halley.” Tema Celeste, Autumn, No. 37-38, p. 87.
Zaya, Octavio. “Los Artistas de los Anos 80 Eran Pretenciosos.” Cultura Espectaculos, June 24.
Figueres, Abel, “Entre el Geometric i el Social.” Avui Art. July 22, p. 28.
Badia, Montse, “Peter Halley.” Avui Art, July 8, p. 24.
Steenbergen, Renee, “Biografie in Fluorescerend Gekleurde Vierkanten.” Kunst, September 30, p. 10.
Klaster, Jan Bart, “Overvolle Bak in Het Stedelijk.” Het Parad Kunst, October 16, p. 6.
Danoff, Michael I., “Peter Halley: Paintings 1989-1992”, catalogue, Des Moines Art Center, December 1, 1992, Des Moines.
Constable, Lesley, “Wexner Center Show Throws More Crumbs.” The Columbus Dispatch, Visual Arts,
July 19, p. 8H.
Montolio, Celia, “Geometrias Escondidas.” Revista Internacional de Arte Lapiz, Ano X, No. 88, pp. 32-43.
Bourdon, David, “Seeing It All, or Six Weeks in Manhattan Galleries.” Art in America, September,
No. 9, pp. 51-61.
Fleck, Robert, “Peter Halley, Broad Conduit Boogie-Woogie.” Flash Art, Summer, Vol. 25, No.165, p. 109.
Badia, Montse, “Peter Halley.” Avui, July 8, p. 24.
Jimènez, Pablo, “Peter Halley, un neo-geo en Madrid.” A.B.C., June, p. 33.
Martialay, Julieta, “Los Más Representativos Autores del Pop-Art Exponen en el Reina Sofía.” El Observador, June 1992.
Fernandez, Horacio, “Continuidad de la Geometría.” Diario16, June.
------, “Halley, un Geométrico Secularizado.” El Pais, June 29, p. 30.
Danvila, Jose Ramon, “Peter Halley. Recuerdos y Razón de la Pintura.” El Punto, June 26, p. 6.
Fernandez, Horacio, “Continuidad de la Geometría.” El Mundo, June 26, p. 78.
------, “El Arte Pop y Peter Halley en el Centro Reina Sofia.” Lanza, June 23, p. 7.
------, “Centro Reina Sofia Acoge la Primera Posición Europea de Peter Halley.” Diario Vasco, June 23, p. 67.
de Bustos, Clara Isabel, “El Reina Sofía Abre sus Puertas a la Fascinación Consumista del Arte Pop.” A.B.C., June 23, p. 67.
------, “El Reina Sofía Expone Todo el Movimiento Pop.” El Pais, June 23, p. 30.
Mediavilla, Manuel, “El Reina Sofia Inaugura Muestras de Arte Pop y de Peter Halley.” El Diario Vasco, June 22, 68.
Mediavilla, Manuel, “El Reina Sofía Abre dos Muestras Dedicadas al Pop Art y Peter Halley.” El Correo Espagnol, June 21, p. 30, 65.
Kramer, Hilton, “A Neo-Geo Mumbo-Jumbo Guides Halley’s Comet.” The New York Observer, June 15, Vol. 6, No. 23.
Kimmelman, Michael, “Peter Halley.” New York Times, June 5.
Millet, Catherine, “La Crise de la Geometrie et Autres Essais, 1981-1987.” Book review. Art Press, June, p. 63.
Vogel, Carol, “Movable Show.” The New York Times, May 22, p. C22.
Bartels, Daghild, “Peter Halley, Fondation Edelman, Pully.” Artis, May, p. 57.
G. M., “Sombre Constat Fluo.” TV Nouvelliste, May 8,p. 5.
D. M., “Le Vertige et les Pieges de la Maitrise.” LHebdo, April 17-23, p. 93.
Dagen, Philippe, “Cruautes Optiques.” Le Monde, April 1, p. 19.
Kunz, Nicole, “Dans les Allées de Halley.” Journal de Geneve, April 7, p. 38.
Debraine, Luc, “Les Couleurs Fluo de Peter Halley Dressent un Sombre Constant.” Le Nouveau Quotidien, April 14, p. 23.
Halley, Peter. La crise de la geometrie et autre essais, 1981-1987. Paris: ensb-a, 1992.


Hixson, Kathryn, “Interview with Peter Halley.” Catalogue. Bordeaux: capc Musee d’art contemporain, 1991.
Di Benedetto, Steve and Peter Halley, "Site and Non-Site." Flash Art, Nov./Dec., pp. 100-102.
Nyffenegger, Francoise, “Peter Halley au Musee D’Art Contemporain de Pully.” La Tribune de Geneve, April pp. 4-5.
-----, “Le Capc de Bordeaux.” Arts Graphiques, February/March/April.
Kerner, Anne, “Géo-Comète.” Museart, Februar1.
-----, “Trait d’Esprit.” Gaipied, January 9.
-----, “Bordeaux: La Comète de Halley.” Parcours Air International, January.
-----, “Pas Seulement Abstrait”, Connaissance des Arts, January.
-----, “Peter Halley.” En Ville, December/January.
-----, “Le Jeu de la Société.” Objectif Aquitaine, December/January.
Tamaka, Hiroko, “Art is Beautiful: Interviews with New York.” Kawade Shobo Shinsha, pp. 165-168.
Jones, Bill, “American Artists of the 80s.” Tema Celeste, January/February, no. 29, p. 84.
Jones, Bill, “Peter Halley, Robert Raushenberg, Mel Bochner.” Tema Celeste, March/April, no. 30, p. 85.
Kimmelman, Michael, “ At the Whitney, a Biennial That’s Eager to Please.” The New York Times, April 11, C1, C24.
Schjeldahl, Peter, “Cutting Edge.” The Village Voice, April 30, pp. 93-94.
Lotringer, Sylvere, “Third Wave: Art and the Commodification of Theory.” Flash Art, May/June, pp. 89-93.
Hillman, James, “The Repression of Beauty.” Tema Celeste, May/June, no. 31, pp. 58-64.
Johnson, Ken, “Report for New York: Generation Saga.” Art in America, June, vol. 79, no. 6, pp. 45-51.
McEvilley, Thomas, “Two Big Shows: Post-Modernism and Its Discontents.” Artforum, Summer, vol. 29, no. 10, pp. 98-101.
Gardner, Paul, “What Artists Like About the Art They Like When They Don’t Know Why.” Artnews, October, vol. 90, no. 8, pp. 116-121.
D’Amato, Brian, “Peter Halley.” Flash Art, October, vol. 24, no. 160, p. 143.
Smith, Roberta, “Art and Power, Or, the Fist that Grips the Brush.” The New York Times, October 24, p. C17, C21.
-----, “Peter Halley.” Bordeaux Gironde, October-December.
Mannheimer, Steven, “Power Play.” The New Art Examiner, November, vol. 19, no. 3, pp. 16-19.
-----, “Peter Halley au Capc de Bordeaux.” Panorama de Medecin, December 12.
-----, “L’Univers de Halley.” Le Courrier Français, December 13.
Bouzerand, Jacques, “Plein Cadre: Peter Halley.” Le Point, December 12.
Godfrey, Dominique, “Peter Halley au Capc: Un Jeune Loup Géométrique.” Sud Ouest, December 22.
Sans, Jerome, “Peter Halley.” Beaux Arts, December, pp. 107-109.
-----, “L’Environment Quotidien et l’Art, Les Géométries de Peter Halley.” Bordeaux, December.
-----, “Peter Halley.” A Suivre, December.


Politi, Giancarlo, "Peter Halley." Interview. Flash Art, Jan/Feb, pp. 81-87.
Heartney, Eleanor, “Peter Halley: Sonnabend.” Artnews, February, vol. 89, no. 2, p. 155.
Decter, Joshua, “Peter Halley.” Contemporanea, March, p. 89.
Adams, Brooks, “Peter Halley at Sonnabend.” Art in America, March, vol. 78, no. 3, pp. 195-196.
Smith, Roberta, “Grouping of Abstracts For Serious Looking.” The New York Times, December 7, p. C24.
Faust, Gretchen, Review. Arts Magazine, May, vol. 64, no. 9, pp. 112-113..
Metzger, Rainer, “Peter Halley, Julian Opie, Giulio Paladino.” Flash Art, October, vol. 23, no. 54, pp. 162-163.
Cottingham, Laura, “Reviews: The Last Decade--Eighties Artists.” Contemporanea, December, pp. 88-89.
Halley, Peter. Scriti sull'arte e altro. Tema Celeste, Siracusa, Italy: Tema Celeste, 1990.


Bookhardt, D. Eric, "Interview: Peter Halley." Interview. Art Papers, Jan/Feb, pp. 8-10.
Paparoni, Demetrio, "Silence and Meaning: Peter Halley." Tema Celeste, July-Sept., pp. 55-57.
Graw, Isabelle, “Spotlight: The American Bi-National.” Flash Art, Jan/Feb, no. 44, pp. 108-109.
Slesin, Suzanne, “Where Contemporary Art is the Décor.” The New York Times, February 2, p. C1, C6.
Trimarco, Angelo, “Dipartimenti di Vita.” Il Matino, March 4.
Bakargiev Christov, Carolyn, “In Cella con Dioniso.” 24 Ore, March 28.
Miller, John, “Peter Halley’s Geometry and the Social.” Artscribe, March/April, no. 74,p. 64.
Baker, Kenneth, “Review: Carnegie International, Carnegie Museum of Art.” Artforum, March, pp. 138-139.
Caley, Shaun, “Peter Halley: Jablonka, Cologne.” Flash Art, March/April, no. 145, p. 118.
Bochynek, Martin, “Das Abstrakte Gefangnis.” Marabo, no. 6, p. 80.
-----, “Kalte Bilder von Halley.” Rheinische Post, April 29.
Vaupel, Michael, “Gefangene des Raumes.” Westdeutsche Zeitung, May, no. 102.
Ingenpahs, Heinz J., “Die Schrille Leere von Mauern.” Westdeutsche Zeitung, May 12.
Kimmelman, Michael, “Touring Show of Soviet and American Artists.” The New York Times, May 16, p. C15, C20.
Leigh, Christian, “The Silent Baroque.” Balcon, no.5-6, pp. 56-65.
Paperoni, Demetrio. “Silencio e Significato: una Conversazione tra Peter Halley e Demetrio Paparoni.” Interview. Tema Celeste, October/December, pp. 51-53.
Collins, Tricia, and Richard Milazzo, “Radical Consumption and the New Poverty: A Discourse on Irony and Superfluity.” New Observations, October, no. 51.
Smith, Roberta, “Minimalism’s Slow Fire.” The New York Times, December 10.
Januszczak, Walsemar, Hanatsubaki, December 1989, no. 474, p. 40.
-----, “‘Flatland’ A Project for Tema Celeste.” Tema Celeste, January/March, no. 19, p. 32.


Russell, John, “At the Saatchi Collection, A Thin Show of NY Art.” The New York Times, January 3, pp. H27-28.
Kuspit, Donald, “Reviews.” Artforum, January, vol. 26, no. 9. pp. 112-113.
Max Faust, Wolfang, “Now New, York New: Interview with Dan Cameron.” Interview. Wolkenkratzer, Jan/Feb, 20-25.
Bonita Oliva, Achille, “Neo-America.” Flash Art, Jan/Feb, no. 138, pp. 62-66.
Artner, Alan G., “Halley Uses Critiques on Culture to Shore Up Feeble Work.” Chicago Tribune, April 22, section 7, p. 63.
Sundell, Margaret and Thomas Beller, "An Interview with Peter Halley." Interview. Splash, Summer.
Gilbert-Rolfe, Jeremy, “Nonrepresentation in 1988: Meaning Production Beyond the Scope of the Pious.” Arts Magazine, May, vol. 62, no. 9, pp. 124-125.
Bell, Tiffany, "On Barnett Newman: Peter Halley and Jeremy Gilbert-Rolfe." Interview. Parkett, no.16, p. 18.
Taylor, Paul, “Spotlight: Cultural Geometry.” Flash Art, May, no. 140, pp. 124-125.
McEvilley, Thomas, “Marginilia.” Artforum, May, vol. 26, no. 9, pp. 11-12.
Osterow, Paul, “The Round Table Project.” Bomb, Spring, p. 42.
Jones, Ronald, “Hover Culture.” Artscribe, Summer, no. 70, p. 50.
Jones, Ronald, Review. Artscribe, Summer, no. 70, p. 85.
Segard, Michel, “Peter Halley.” New Art Examiner, p. 43.
Plagens, Peter, “The Emperor’s New Cherokee Limited 4x4.” Art in America, June, vol. 6, no. 4, pp. 23-24.
Graw, Isabelle, “Carnegie International.” Galeries Magazine, Dec/Jan, no. 28, pp. 76-78.
Kazanjian, Dodie, “Collins & Milazzo, Talent Scouts.” House & Garden, December, p. 74.
Mantegna, Gianfranco, "Technologia Transcendentale." Interview. Tema Celeste, Dec-Feb, pp. 34-36,
Halley, Peter. Peter Halley: Collected Essays 1981-1987. Zurich: Bischofberger/ Sonnabend, 1988.


Cameron, Dan, “New American Art.” Art & Design, vol. 3, pp. 33-43.
Smolik, Noemi, “Whoever Sets Up Urinals Shouldn’t Wonder When They’re Pissed Into.” Volkenkratzer, Jan/Feb,86.
Ronnen, Meir, “What You See Is What You Get.” The Jerusalem Post, January 30.
-----, “Group Material: ‘Anti-Baudrillard’ panel discussion.” File Magazine, #28, pp. 110-119.
Hart, Claudia, "Intuitive Sensitivity: an Interview with Peter Halley and Meyer Vaisman." Interview. Artscribe, Nov/Dec, pp. 36-39.
Wei, Lily, "Talking Abstraction." Interview. Art in America, December, pp. 112-130.
Ratcliff, Carter, “I Like the Free World.” Artforum, February, vol. 25, no. 6.
Muchnic, Suzanne, Review. The Los Angeles Times, March 20, section IV.
Richardson, Elizabeth, “Shaping a Firm Minimalism.” Artweek, March 21, vol. 18, no. 11, p. 4.
Madoff, Steven Henry, “Purgatory’s Way.” Arts Magazine, March, vol. 61, no. 7, pp. 16-19.
Gold, Sylviane, “Whitney’s Biennial: A Modern Mishmash.” USA Today, April 14.
Zaunschirmer, Thomas and Alexander Puhringer, “Neo Konzeptionalismus Szene New York.” Noemia Art Magazine, April/May, no. 11, pp. 18-38.
Raynor, Vivien, “In Ridgefield, Connecticut, a Post-Abstract Show.” The New York Times, June 26, p. C26.
Glueck, Grace, “What Do You Call Arts Newest Trend: Neo-Geo ...Maybe.” The New York Times, July 6, New York.
Smith, Roberta, “Generations of Geometry, an Abstract Show.” The New York Times, July 17, p. C32.
Casadio, Mariuccia, “Bickerton, Halley, Koons e Vaisman: Le Premesse Teoriche Dell Oggetto Americano.” Vanity, July/August , pp. 118-123.
Zimmer, William, “Visiting Art Museums and Galleries in Three States.” The New York Times, August 14, C1, C26.
Felhau, Fred, “Spotlight: Donald Judd and Peter Halley.” Flash Art, Summer, no. 135, p. 93.
Pincus-Witten, Robert, “Entries: Electro-Static Cling or the Massacre of Innocence.” Artscribe International, Summer, no, 64, pp. 36-41.
Lovelace, Carey, “The Whitney Gets It Right, Almost.” New Art Examiner, Summer, vol. 14, no. 11, pp. 24-26.
Taylor, Paul, “My Art Belongs to Dada.” London Observer, 6 September, pp. 16-17.
Graham-Dixon, Andrew, “Neo-Geo.” Vogue, British edition, September, vol. 144, no. 9, pp. 36-41.
Smith, Roberta, Review. The New York Times, October 30, p. C34.
Stevens, Mark, “Neo-Geo: Art’s Computer Hum.” Newsweek, November, vol. 110, no. 16, p. 119.
Wulffen, Thomas, “Tuzina, Halley, Chamberlain, Kiecol.” Artscribe International, Nov/Dec, pp. 79-80.
Cameron, Dan, “In the Path of Peter Halley.” Arts Magazine, December, vol. 62, no. 4, pp. 70-73.
Shinoda, Tatsumi, “Peter Halley.” Bijustu-Techo, December, vol. 39, pp. 38-41.
Wei, Lilly, “Talking Abstract II.” Art in America, December, pp. 120-121, 171.


"From Criticism to Complicity." Panel discussion. Flash Art, Summer, pp. 46-49.
Cone, Michele, "Peter Halley." Interview. Flash Art, February/March.
Collins, Tricia and Richard Milazzo, “Spiritual in America.” CEPA Quaterly, Spring, vol. 1, issue 3, pp. 4-8.
Decter, Joshua, “Peter Halley.” Arts Magazine, Summer, vol. 60, no. 10, p. 110.
Cotter, Holland, “Peter Halley/International with Monument.” Flash Art, Summer, no. 163, p. 68.
Relyea, Lane, “Hot Commodities.” L.A. Weekly, August 15-21, vol. 8, no. 38, p. 21.
Westfall, Stephen, “The Synthetic Sublime.” L.A. Weekly, August 15-21, vol. 8, no. 38, p. 20.
Heartney, Eleanor, “Neo-Geo Storms New York.” New Art Examiner, September, vol. 14, no. 1, pp. 26-29.
Jones, Alan, “Paravision: An Interview with Tricia Collins and Richard Milazzo.” Galeries Magazine, Aug/Sept, no. 14, pp. 40-47, 93-94.
Smith, Roberta, “Art: 4 Young East Villagers at Sonnabend Gallery.” The New York Times, October 28, p. C30.
Wallach, Amei, “The New Art Is Soho Cool.” Newsday, October 26, Section II, pp. 3-17.
Larson, Kay, “Masters of Hype.” New York Magazine, November 10, vol. 19, no. 25, pp. 65-66.
Madoff, Steven Henry, “Vestiges and Ruins: Ethics and Geometric Art in the Twentieth Century.” Arts Magazine, December, vol. 61, no. 4, pp. 32-40.
Cameron, Dan, “Transparencies.” Art Crticism, vol. 3, no.1, pp. 1-10.
Taylor, Paul, “Cumulus from America: The Return of (Conceptual) Art.” Parkett, no.9.
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