Ceysson & Bénétière

From June 16 to January 7

Through approaches that are parasitic, telescopic, fantasmatic, frictional, contradictory or simply based on friendship, Il morso delle termiti attempts to undertake a re-reading of art history through the prism of graffiti. Here graffiti is neither a subject nor an aesthetic but rather an experience, an attitude, an imaginary, an underground current of thought : an experience of illegality and broken windows, the wanderings of bodies in movement, an attraction to murky perspectives, the romanticism of a kind of vandalism which is as much a form of care as of damage, and a fascination for visible and invisible languages that confront the precarious matter of the real and which shape themselves from it even as they transform it.

With Tania Mouraud