Ceysson & Bénétière

Née en 1975, à St. Louis, États-Unis.
Vit et travaille à Brooklyn, États-Unis.

Artiste américaine, née en 1975 à St Louis, dans le Missouri, et vivant à Brooklyn, New York

Katherine Bernhardt est avant tout connue pour ses peintures de top-modèles, qui explorent l'hyperréalisme de la photo de mode et les normes de beauté. Plus récemment, elle a concentré son énergie sur une série de « peintures à motifs » - de grands tableaux aux teintes tropicales et fruitées, représentant des biens de consommation courants organisés d'une manière rappelant l'Art déco. Fluide et précipité, le style de Bernhardt donne à ses tableaux un aspect qu'on dirait provisoire. Il en émane une telle énergie qu'on ressent presque le plaisir qu'elle a pris à les créer. Après avoir, dans un premier temps, exploré l'utilisation de motifs dans le contexte de tapis importés, Bernhardt s'inspire désormais du wax néerlandais et des textiles africains. Elle sélectionne et regroupe ses sujets selon des associations émotionnelles sous-jacentes (hamburgers, frites et ballons de basket / café, cigarettes et parts de pizza), puis les décompose en détails élémentaires, en formes pures et en étendues de couleur afin de créer des compositions plus simples, mais expressives.


Formation

2000
MFA School of Visual Arts, New York, États-Unis

1998
BFA, School of the Art Institute of Chicago, États-Unis
NYU Summer Intensive Program
International School of Art, Umbria, États-Unis

Dans ses essaims jubilatoires et écœurants de burgers, tacos, cigarettes, pastèques, frites, ordinateurs ou rouleaux de papier-toilette, Katherine Bernhardt tartine la surface de ses toiles, comme on remplit un caddie. En raison de la myriade d'objets présents dans ses toiles, son travail est parfois interprété comme une critique ironique du consumérisme. Pourtant, ce n'est pas une préoccupation consciente de l'artiste, qui est essentiellement motivée par une fascination pour son environnement du quotidien et par le fait de lui donner une expression nouvelle à travers la couleur et la composition. Internationalement reconnue pour ses peintures de top modèles conçues à partir de coupures déchirées de magazines de mode et, plus récemment, pour ses motifs de tapis marocains, Katherine Bernhardt décide en 2013 d'abandonner ces deux formes d'expression artistique pour se consacrer à peindre en laissant libre cours à son imagination, exploitant son propre réservoir fertile d'expériences, d'images et de sensations. Dès lors, Bernhardt réalise des toiles qui mélangent un assortiment d'objets reflétant ses expériences quotidiennes, de sa vie à New York à son amour de Porto Rico, ses racines de Saint Louis et sa vie familiale. Les objets sont peints avec une verve et une ténacité incroyables, véritable programme pictural en forme de liste de course sur fonds colorés: tranches de pastèque, boom boxes, ordinateurs, tranches de pizza, cassettes, hamburgers, ballons de basket, vieux téléphones portables, avions, fruits, requins, bouteilles d'eau, tortues marines, cigarettes, sharpies et claviers. Katherine Bernhardt ramène la peinture à sa veine idiote, chérie par le Magritte de la période vache ou par Philip Guston.

Expositions de groupe à la galerie
Feed the Meter, Wandhaff
23 septembre - 16 décembre 2017


Expositions personnelles

2017
Mural, Project Wall, St. Louis Contemporary Art Museum, St. Louis, Etats-Unis
Focus: Katherine Bernhardt, Modern Art Museum of Fort Worth, Fort Worth, Etats-Unis
Commissioned Installation, Lever House Art Collection, New York, Etats-Unis

2016
Product Recall: New Pattern Paintings, Xavier Hufkens, Bruxelles, Belgique

2015
Strawberry Banana Power Smoothie, Carl Freedman Gallery, Londres, Royaume-Uni
Pablo and Efrain, Venus Over Manhattan, New York, Etats-Unis
Fruit Salad, Venus Over Los Angeles, Los Angeles, Etats-Unis

2014
Doritos and Diet Coke, China Art Objects Galleries, Los Angeles, Etats-Unis
Stupid, Crazy, Ridiculous, Funny Patterns, CANADA, New York, Etats-Unis

2013
Watermelon, Smiley Faces, Ice Cream, Popsicles, Avocado and Sun, Roberto Paradise, San Juan, Puerto Rico
Holiday Services, Katherine Bernhardt and Youssef Jdia, The Hole, New York, Etats-Unis

2012
Nomad, Loyal Gallery, Malmo, Suède

2011
Rites of Spring Passage, Carbon 12, Dubai, Emirats Arabes Unis

2010
Hot Pop Time Machine, V1 Gallery, Copenhague, Danemark
Tombouctou 52 Jours, CANADA, New York, Etats-Unis
Lila Dit Ca, Galerie Suzanne Tarasieve, Paris, France

2009
Super Models and Swatch Watches, Galeria Marta Cervera, Madrid, Espagne
Wonder Women, Carbon 12, Dubai, Emirats arabes unis
Greeky, Ransom, Londres, Royaume-Uni
Kate, Giselle, Natalia, Agyness, Simon, Kanye and George, CANADA, New York, Etats-Unis

2007
Drunken Hot Girls, Galerie Suzanne Tarasieve, Paris, France
Kiss Me Kate, Galleri Loyal, Stockholm, Suède
Black White Silver Gold Baby, installation with CHANEL and New York Magazine, CHANEL 64th and Madison Avenue, New York, Etats-Unis
La Dolce Vita, Galeria Glance, Turin, Italie
Flesh for Fantasy, Patricia Low Contemporary, Gstaad, Suisse
Girls on Film, Cannes, France
Budapest, The Gellert Hotel, 10:15pm, Galerie Lisa Ruyter, Vienne, Autriche
Winter Special Crazy Fun, Galerie Suzanne Tarasieve, Paris, France

2005
96 Degrees in the Shade, CANADA, New York, USA
Women of the Forest, Greener Pastures Gallery, Toronto, Canada
Where the Spirits Dwell, Galeria Comercial, San Juan, Puerto Rico

2004
Pleasure and Paint, Galerie Lisa Ruyter, Vienne, Autriche

2003
Dots, Team Gallery, New York, Etats-Unis
Kenny Schachter ConTEMPorary, New York, Etats-Unis

2001
Team Gallery
Modern Culture at The Gershwin Hotel, New York, Etats-Unis

2000
Team Gallery, New York, Etats-Unis

Expositions collectives

2017
Reinventing the Figure, Galleria Monica De Cardenas, Milan, Italie
Animal Farm, commissaire d'exposition: Sadie Laska, Brant Foundation, Greenwich, Etats-Unis
Hope and Hazard: A Comedy of Eros, commissaire d'exposition: Eric Fischl, Hall Art Foundation, Reading, Etats-Unis
A New Subjectivity, commissaire d'exposition: Jason Stopa, Pratt Manhattan, Etats-Unis
Black & White, Tripoli Gallery, Southhampton, New York, Etats-Unis
Drawing Island, The Journal Gallery, Brooklyn, New York, Etats-Unis
Feed the Meter Vol. II, commissaire d'exposition : Wallace Whitney, Ceysson & Bénétière, Wandhaff, Luxembourg

2016
What's Up 2.0, Commissaire d'exposition: Lawrence van Hagen, Londres, Royaume-Uni
Fort Greene, commissaire d'exposition: Adrianne Rubenstein, Venus over Los Angeles, Etats-Unis
Manifesta 11: The European Biennial of Contemporary Art, Zurich, Suisse
Piston Head II: Artists Engage the Automobile, Venus LA, Los Angeles, Etats-Unis
Goulding the Lolly, Gavin Brown's Enterprise, New York, Etats-Unis
The 5th of July, Atlanta Contemporary, Atlanta, Etats-Unis
Make Painting Great Again, CANADA, New York, Etats-Unis

2015
No Man's Land, Rubell Collection, Miami, Etats-Unis
Full of Peril and Weirdness: Painting as Universalism, Commissaire d'exposition: Robin Peckham and Wanwan Lei, M Woods, Pékin, Chine
Tiger Tiger, Salon 94 Bowery, New York, Etats-Unis
#crowded house, Harper's Books, Etats-Unis
Painting 1,2,3, Kate Macgarry, Londres, Royaume-Uni
Call and Response, Gavin Brown Enterprise, New York, Etats-Unis
Eagles II, Galeria Marlborough, Madrid, Espagne

2014
Early Man, The Hole, New York, Etats-Unis
New Image Painting, Shane Campbell Gallery, Chicago, Etats-Unis
Live and Let Die, Stuart Shave/ Modern Art, Londres, Royaume-Uni
PURPLE STATES & Cafe Dancer Pop-Up, Andrew Edlin Gallery, New York, Etats-Unis
Don't Look Now, Zach Feuer Gallery, New York, Etats-Unis
Paint New York, Kunstforeningen Gl Strand in Copenhague, Danemark
All That Glitters, Commissaire d'exposition: Athena Barat and Rebecca Jampol, The Gateway Project, Newwark, New Jersey, Etats-Unis

2013
Chicken or Beef?, The Hole, New York, Etats-Unis
Independants, V1 Gallery, Copenhague, Danemark
Gestures, V1 Gallery, Colta, Bâle, Suisse
Work, Klaus Von Nichtssagand, New York, Etats-Unis
The Triumph of Human Painting, Bull and Ram, New York, Etats-Unis
Skateboards, Commissaire d'exposition: Brian Alfred, Artware Editions, New York, Etats-Unis
Extravagant Features, Commissaire d'exposition: Clarissa Darlymple, New York, Etats-Unis
Pin up Magazine Design Wee, Salon94, New York, Etats-Unis
Cloth Made More Interesting by People, Feature, New York, Etats-Unis

2012
I glove U, Reynolds Gallery, New York, Etats-Unis
You Won't be Bored Tonight, V.1 Copenhague, Danemark
Bernhardt, Frost, Kitaj, Rivers, Schumann, Williams, Marlborough Gallery, New York, Etats-Unis
Twisted Sister, Dodge Gallery, New York, Etats-Unis
Material: A Group Show, Salon 94, Freemans Alley, New York, Etats-Unis
Danger Curve Ahead, Ober Gallery, Kent, Etats-Unis
The State, Domination Hegemony and the Panopticon, Traffic, Dubai, Emirats Arabes Unis
East West Shift to the Middle Part #1, Bill Brady/ KC, Kansas City, Etats-Unis

2011
Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew
Masullo and Judith Scott, Mitchell Innes and Nash, New York, Etats-Unis
Day of the Locust, White Flag Projects, St. Louis, Etats-Unis
go figure, commissaire d'exposition: Eddie Martinez, Dodge Gallery, New York, Etats-Unis
An Instance of Vibration, commissaire d'exposition: Peter Makebish, Bowery Hotel, New York, Etats-Unis
The Influentials, commissaire d'exposition: Amy Smith Stewart, SVA Gallery, New York, Etats-Unis
I Am Who I Am, Steven Zevitas Gallery, Boston, Etats-Unis
FACEMAKER, Royal/T, Los Angeles, Etats-Unis

2010
The Unbearable Lightness of Being, Carbon12, Dubai, Emirats Arabes Unis
Paint, Saatchi Gallery, Londres, Royaume-Uni
Collection 3, Painting and Drawing from the Collection of Claudine and Jean Mark collection, Salomon Foundation, France

2009
New York Minute, commissaire d'exposition: Kathy Grayson, Macro Future, Rome, Italie
Spaced Out / On Time, CANADA, New York, Etats-Unis
Teasers and Pleasers, Galerie Kussseneers, Anvers, Belgique
Sneak Preview, Carbon12, Dubai, Emirats Arabes Unis
Marilyn in the Arts, Stadtische Gallery Schloss Meersberg, Allemagne
Brooklyn, Queens, Commissaire d'exposition: Eddie Martinez, The Journal, Brooklyn, Etats-Unis
Deadliest Catch: Hamptons, commissaire d'exposition: Michael Sellinger, Southampton, Etats-Unis
Hard/Soft, Commissaire d'exposition: Stacy Engman, National Arts Club, New York, Etats-Unis

2007
Prelude, Julie Chae Gallery, Boston, Etats-Unis
Someday Never Comes, Zeiher Smith, New York, Etats-Unis
Wu-Tang / googolplex, commissaire d'exposition: Darren Bader, GBE @ Passerby, New York, Etats-Unis
Group Show, commissaire d'exposition: Eddie Martinez, Zeiher Smith, New York, Etats-Unis
M*A*S*H, commissaire d'exposition: Amy Smith Stewart and Omar Lopez-Chahoud, The Helena, New York, Etats-Unis
Space is a Place, Portland Institute for Contemporary Arts, Portland, Oregon, Etats-Unis
M.A.S.H, commissaire d'exposition: Amy Stewart Smith and Omar Lopez Chahoud, THe Helena, New York, Etats-Unis
Group Show commissaire d'exposition: Jason Duvall, Kathleen Cullen, New York, Etats-Unis
The Galleries Show, Extra City Center for Contemporary Art, Anvers, Belgique
Modern Primitivism, Shane Campbell Gallery, Chicago, Etats-Unis
(Cana) Rico ?, Galeria Comercial, San Juan, Puerto Rico
Men, commissaire d'exposition: Ellen Altfest, I-20 Gallery, New York, Etats-Unis
Paint, Power, Triangles and Selections from My Wardrobe, Karyn Lovegrove Gallery, Los Angeles, Etats-Unis
Frisky Flaming Hot, Galleri Christina Wilson, Copenhague, Danemark
Ulrich Museum of Art, commissaire d'exposition: General Store, Wichita, Etats-Unis
Group Show, Salon 94, commissaire d'exposition: Bronwyn Keenan in conjunction with Bono and Fashion Week, New York, Etats-Unis
In Search of Love & Fire, David Castillo Modern & Contemporary Art, Miami, Etats-Unis

2005
Hello Sunday, commissaire d'exposition: Holly Coulis, SixtySeven, New York, Etats-Unis
The Early Show, commissaire d'exposition: The General Store, White Columns, New York, Etats-Unis
Manhattan, commissaire d'exposition: Carol Lee, 100 Lafayette, New York, Etats-Unis
Monster Painting, McClain Gallery, Houston, Etats-Unis
Honeymoon with Romeo, commissaire d'exposition: Holly Coulis, Groeflin Maag Galerie, Bâle, Suisse
Diamond Hand grenade, Midway Contemporary, St. Paul, Etats-Unis
New York's Finest, commissaire d'exposition: Brendan Cass and Wallace Whitney, CANADA, New York, Etats-Unis

2004
4 Color Pen Show, General Store, Milwaukee, Etats-Unis
Postcards From The Edge, Visual Aids Benefit, Brent Sikkema, New York, Etats-Unis
General Store Rocks, High Desert Test Sites, Joshua Tree, Etats-Unis
Rock, Mark Moore Gallery, Santa Monica, Etats-Unis
Slice and Dice, SVA museum, New York, Etats-Unis
Beginning Here 101 Ways, SVA Museum, New York, Etats-Unis
Under the Sun, Greener Pastures, Toronto, Canada
Voo Doo Shit, Hales Gallery, Londres, Royaume-Uni
Heavenly Creatures, Saltzburg, Autriche
Beat the Reaper!, Allston Skirt Gallery, Boston, Etats-Unis
Drunk VS. Stoned, Gavin Browns' Passerby, New York, Etats-Unis

2003
Girls Gone Wild, Bronwyn Keenan Gallery New York, Etats-Unis
The Larger Room, 678 Echo Park Avenue, Los Angeles, Etats-Unis
Bad Touch V.4, Keith Talent Gallery, Londres, Royaume-Uni
Slacker Art, Greener Pastures, Toronto, Canada

2002
Bad Touch, Ukrainian Institute of Modern Art, Chicago, Etats-Unis
Ecstasy Falls, g-Module Paris, France
Stirring the Turd, Lump Gallery, Raleigh, Etats-Unis
Artnew York, Kunstraume Auf Zeit, Linz, Autriche
Brush, Enders Projects, Frankfurt, Germany
Painting, ATM Gallery, New York, Etats-Unis
Burst, Team Gallery, New York, Etats-Unis
The DubrowBiennial, Kagan Martos Gallery, New York, Etats-Unis
Snapshot Aldrich Museum of Contemporary Art, Etats-Unis

2001
Perfunctory Team Gallery, New York, Etats-Unis

2000
Electraslip Knife Chicago, Etats-Unis
Snapshot Baltimore Contemporary Museum, Etats-Unis

1999
Tectonic, La Panaderia, Mexico City, Mexique
Love, Cynthia Broan Gallery, New York, Etats-Unis
Forever is a Hell of A Long Time, Bronwyn Keenen Gallery, New York, Etats-Unis

1998
Sassy Nuggets A-1 Lab Art Space, Knoxville, Etats-Unis
Eye Candy, Contemporary Artists Workshop, Chicago, Etats-Unis

Sélection de publications

2016 "Make Painting Great Again." The New Yorker June 29, 2016
Nunes, Andrew "CANADA is Making Painting Great Again." The Creators Project: Vice Magazine June 22, 2016
Saltz, Jerry "I Love Canada's 17-Artist State-of-the-Medium Spectacle 'Make Painting Great Again.' It Also Makes Me Worry for the Fate of the Lower East Side.." Vulture.com June 14, 2016
Germano, Beta "Show Me The Money." Casa Vogue June 1, 2016 48-49
Lavrador, Judiacael "Sexy et sans complexes: la peinture figurative aujourd'hui", Beaux Arts, February
Grunenberg, Robert "Artists to Watch", Numéro Homme Berlin, March 3
2015 Gleadell, Colin, "Market News: the modern art comeback", Telegraph, November 3
Schreck, Christopher, "Katherine Bernhardt", Kaleidoscope, November
Solway, Diane, "Katherine Bernhardt". W Magazine, November 1
Neave, Kate, "The Scoop", Baku, October
Rayner, Alex. "Patterns of Consumption", Supplement Magazine, October 21
"Meet the Artist: Katherine Bernhardt", Tory Daily, October 12
Gray, Catriona, "Bold Strokes", Harper's Bazaar, October 9
Herbert, Martin, "Four Painting Shows, Frieze, September
Saltz, Jerry, "Why Have There Been No Great Women Bad-Boy Artists? There have been, of course.
But the Art World Has Refused to Recognize Them", Vulture, Sepmeber 29
Dylan Kerr, "The Best Painters Don't Intellectualize Their Art: Katherine Bernhardt on her New
Painitngs & Why She Loves the Tropics", Artspace, September 19
Claire Lehmann, Katherine Bernhardt, ARTFORUM, September
Scott Indrisek, "Katherine Bernhardt", Modern Paintings, September
Pignatelli, Benedetta, "Into the Art World", Vouge Italia, March 2015
2014 Koestenbaum, Wayne, "Best of 2014", Artforum, December
Saltz, Jerry, "The 19 Best Art Shows of 2014", New York Magazine, December 10
Zevitas, Steven, "15 Artists to Watch in 2015", Huffingtonpost, December 16
Knight, Christopher, "Katherine Bernhardt takes a large look at consumerism", Los Angeles
Times, October 7
Elle Magazine, "14 Drinks on Canvas", Elle Magazine, September
Roberta Smith, "Katherine Bernhardt: 'Stupid, Crazy, Ridiculous, Funny Patterns', New
York Times, Febrauary 20
2013 Saltz, Jerry, "The 10 Best Art Shows of the Year", New York Magazine, December 8th, 2013
Smith, Roberta, "Katherine Bernhardt and Youssef Jdia - Holiday Services", Art in Review,
New York Times, November 22, 2013
Smith, Roberta, "Last Chance: Katherine Bernhardt and Youssef Jdia, Holiday Services",
The New York Times, December 27th, 2013
2012 Smith, Roberta, "Duro Olowu: Material", New York Times, March 2, 2012
2011 Smith, Roberta, "Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo
and Judith Scott", New York Times, July 14, 2011
2010 Church, Amanda, "Katherine Bernhardt", Flash Art, November December 2010, p 99.
Williams, Maxell, "Katherine Bernhardt", Flaunt Magazine, September 2010, p.72, 75.
Nelson, Karen, "A Runway Show by the House of Berber", New York Times, Sunday, May 2, 2010
Asfour, Nana, "Katherine Bernhardt, Tombouctou 52 Jours" Time Out New York, Review, May 13-19,
2010, issue 763 .
Ward, Catriona, "Katherine Bernhardt at Ransom", Art of England, January
Lake, Ed, "The Rhythms of Celebrity," The National (Dubai), March 29
Lake Ed, "Brushes with Fame," The National (Dubai), April 6
Bollen, Christopher, "15 for 09" Interview Magazine, Dec./Jan. 09, p.163 (illus.)
"Art Market News: Kate Moss, Victoria Beckham, and Agyness Deyne Portraits to Launch
Gallery", Telegraph.co.uk, September
Saltz, Jerry, "Kate, Giselle, Natalia, Agyness, Simon, Kanye & George" New
York Magazine Critic's Pick, May 26
"Katherine Bernhardt", The New Yorker, May 26
Schmidt, Jason, "Work in Progress", V Magazine, February (illus.)
"The Armory how Shopping Guide" New York, Feb. 26, p. 129 (illus.)
Smith, Roberta, "Chelsea is a Battlefield: Galleries Muster Groups", New York Times, July 28
Modern Painters, "Katherine Bernhardt: Winter Special Crazy Fun", May (p. 119 illus.)
Fisher, Sandra, "The Idea of Beauty", Vernis, pp. 72 - 74 (illus.)
Maine, Stephen, "Down East", Art in America, May, p. 65
Mendelsohn, Adam, "Primal Scream, " whitewall, Second Issue, Summer, pp. 127 - 135 (illus.)
Hornung, Peter Michael,"Ny amerikansk kunst hos Wilson", Politiken March 17
Scavenius, Bente, "Ny international kunst på de unge gallerier", Børsen, Mar.31
Ross, Trine, "Afrevne lemmer og totempæle", Politiken, March 24
Smith, Roberta, "Even a Little Space Can Hold an Abundance of Ideas",
The New York Times, November 25
Schwendener, Martha, The New Yorker, October 17
Saltz, Jerry, "Ups and Downs", Village Voice, September 23
Gell, Aaron, "Welcome to the Jungle", Elle, October (illustration) p. 222
Smith, Roberta, "New York's Finest", New York Times, Feb. 11 E28
Jordan, Betty Ann, TORONTO LIFE, "art", January
Blazer, David, EYE MAGAZINE, Eye Candy, "Katherine Bernhardt", January
Bennett, Lennie, "Drawing Conclusions", St Petersburg's Times Floridian, September 5
Schutz, Dana, "Installation," Modern Painters, October (illustration)
Finch, Charlie, "Grace VS. Grunge", Artnet.com
2003 Smith, Roberta, "Review: 'girls gone wild", The New York Times, July 4
"Miss Sixty", Paper Magazine, April
Turnbull, Emma, "Kenny Schachter,: Flux, November p. 50
Park, Jeannette, "The Art of Jeans, Miss Sixty Gets Creative", Fashion Wire Daily, January 29
De la Cruz, Melissa, "Culturing Shoppers", New York Daily News, Feb. 13 (illus)
2002 "Ecstasy Falls", Le Monde, November
"Flash Art Agenda: Paris: Ecstasy Falls", Flash Art, December
Halm, Dan, "The Fast and the Furious", Fine Arts Journal, Summer p.16-17
Daniel, Jeff, "Changing Landscapes", The St Louis Post Dispatch, April 28
2001 "The Front," Shout Magazine, December p. 10 (illustration)
Levin, Kim, "Voice Choice", The Village Voice
Saltz, Jerry, "Something Wild", The Village Voice, December 25, p, 73
Worth, Alexi, "Pick," The New Yorker, December 24 and 31 p. 22
Gilman-Sevik, "Review: 'Perfunctory' at Team", Flash Art International, October p. 53 (illustration)
2000 "Chelsea Gallery Tour", ART International, Fall
"Electraslip Knife", New Art Examiner, by Lori Waxman, November
Saltz, Jerry, "Mood Swings", The Village Voice, July 21

Publications
"The magnificent excess of Snoop Dogg Katherine Bernhardt", Picture Box Inc., New York City, 2008
Flaunt Magazine: Cover of Kristen Stewart April 2010
Greeky, Published by Tabularium
Seeing Out Loud, Jerry Saltz, 2003

Enseignement
Visiting Artist at Boston University, February 2014
Substitute Teaching at SVA, 1st Year Drawing Program 2003
Visiting Artist at SVA February, 2005
Panel Advisor for Undergraduate Scholarship at SVA, 2004
Visiting Artist at the Chicago Art Institute, Lecture and Graduate Critiques
Visiting Artist at Boston University, Spring 2009
Visiting Artist at Hunter College, New York
Visiting Artist at R.I.S.D., 2013
Visiting Artist at Rutgers, 2012