Jean-Marc Cerino
Exécution d’Aloïs Walput, volontaire belge, 3 juin, 2014
Oil and silicone on split glass and synthetic spray paint under glass
120 x 165cm
47.24 x 64.96 in
Oil and silicone on split glass and synthetic spray paint under glass
120 x 165cm
47.24 x 64.96 in
Essais de moteur d’avion militaire dans le col du Lautaret (14-18), 2014
Oil in glass and spray paint under glass
120.3 x 158cm
47.36 x 62.20 in
Oil in glass and spray paint under glass
120.3 x 158cm
47.36 x 62.20 in
Ouvriers dans les carrières de marbre de carrare, 2015
Oil in glass and spray paint under glass
160 x 124cm
62.99 x 48.82 in
Oil in glass and spray paint under glass
160 x 124cm
62.99 x 48.82 in
Deux hommes sur une ruine, 2016
Oil in glass and spray paint under glass
105 x 63cm
41.34 x 24.80 in
Oil in glass and spray paint under glass
105 x 63cm
41.34 x 24.80 in
Cabane, 2016
Oil on glass and bleached fabric
91 x 64cm
35.83 x 25.20 in
Oil on glass and bleached fabric
91 x 64cm
35.83 x 25.20 in
Troupe revenant, 2016
Oil on glass and bleached fabric
81 x 104cm
31.89 x 40.94 in
Oil on glass and bleached fabric
81 x 104cm
31.89 x 40.94 in
Amas A. P002 dit des plumes , 2016
Feathers, oil and spray bomb under glass
37.5 x 26cm
14.76 x 10.24 in
Feathers, oil and spray bomb under glass
37.5 x 26cm
14.76 x 10.24 in
Homme pissant ( dit le contremaitre ), 2016
Oil on glass and solarized fabric under glass
70 x 42cm
27.56 x 16.54 in
Oil on glass and solarized fabric under glass
70 x 42cm
27.56 x 16.54 in
Winnie la baleine échouée à San Fransisco, 1938, 2015
Oil in glass, and radiated acrylic and spray paint under glass
124 x 172cm
48.82 x 67.72 in
Oil in glass, and radiated acrylic and spray paint under glass
124 x 172cm
48.82 x 67.72 in
Renversement, (Corps de Mussolini et de Clara Peta, 2013
Oil on glass, radiant oil and synthetic painting with spray under glass
121.3 x 162.5cm
47.76 x 63.98 in
Oil on glass, radiant oil and synthetic painting with spray under glass
121.3 x 162.5cm
47.76 x 63.98 in
Champ de bataille sous la neige, vue verticale, 80, 2015
oil in glass and acrylic and spray paint under glass
81 x 108cm
31.89 x 42.52 in
oil in glass and acrylic and spray paint under glass
81 x 108cm
31.89 x 42.52 in
Etude pour Personnage du Valais suisse, XIXème siè, 2014
oil on glass, radiant oil and synthetic painting with spray under glass
50 x 32.3cm
19.69 x 12.72 in
oil on glass, radiant oil and synthetic painting with spray under glass
50 x 32.3cm
19.69 x 12.72 in
Bateau avec un camouflage Dazzle dans un port, 2013
Oil on glass, oil and synthetic painting with spray under glass
91.4 x 151.7cm
35.98 x 59.72 in
Oil on glass, oil and synthetic painting with spray under glass
91.4 x 151.7cm
35.98 x 59.72 in
Sinti et roms en attente de leur déportation, 2015
oil in glass and a supply bag of the thrid Reich Heer under glass
118 x 162cm
46.46 x 63.78 in
oil in glass and a supply bag of the thrid Reich Heer under glass
118 x 162cm
46.46 x 63.78 in
Camion à gaz utilisé par les Einsatzgruppen, 2015
oil in glass and an military blanket of the third Reich
118 x 168cm
46.46 x 66.14 in
oil in glass and an military blanket of the third Reich
118 x 168cm
46.46 x 66.14 in
Dessouchement aux explosifs, 1920, 2014
oil in glass and spray paint under glass
117 x 159cm
46.06 x 62.60 in
oil in glass and spray paint under glass
117 x 159cm
46.06 x 62.60 in
Panneaux de signalisation sur le front russe, 2013
oil in glass and acrylic and spray paint under glass
104.6 x 151.8cm
41.18 x 59.76 in
oil in glass and acrylic and spray paint under glass
104.6 x 151.8cm
41.18 x 59.76 in
La troupe (Hermann-Paul), 2014
Oil on glass, ashes and binder under glass
120.5 x 155.5cm
47.44 x 61.22 in
Oil on glass, ashes and binder under glass
120.5 x 155.5cm
47.44 x 61.22 in
Mutineries de Kiel (Im U-Boot-Hafen in Kiel wird a, 2014
oil in glass and acrylic paint under glass
92 x 132cm
36.22 x 51.97 in
oil in glass and acrylic paint under glass
92 x 132cm
36.22 x 51.97 in
Combat aérien, Anonyme (J.D.), 2014
Oil on glass, oil and synthetic painting with spray under glass
153.5 x 108.5cm
60.43 x 42.72 in
Oil on glass, oil and synthetic painting with spray under glass
153.5 x 108.5cm
60.43 x 42.72 in
La politique (fait son cinéma), 2014
Oil in glass and spray paint under glass
104 x 95cm
40.94 x 37.40 in
Oil in glass and spray paint under glass
104 x 95cm
40.94 x 37.40 in
Les Mystères de Paris, (anonyme), 2014
Oil in glass and spray paint under glass
127 x 160.5cm
50.00 x 63.19 in
Oil in glass and spray paint under glass
127 x 160.5cm
50.00 x 63.19 in
Le coup de poing, (anonyme), 2014
oil in glass and spray paint under glass
157 x 127cm
61.81 x 50.00 in
oil in glass and spray paint under glass
157 x 127cm
61.81 x 50.00 in
Atterrissage mouvementé sur le terrain d’Ursel en , 2012
oil in glass and acrylic and spray paint under glass
137.3 x 100cm
54.06 x 39.37 in
oil in glass and acrylic and spray paint under glass
137.3 x 100cm
54.06 x 39.37 in
Crash d'un Junker Ju 87 , 2013
oil in glass and acrylic and spray paint under glass
78 x 115.3cm
30.71 x 45.39 in
oil in glass and acrylic and spray paint under glass
78 x 115.3cm
30.71 x 45.39 in
Dresde, les ruines de la Frauenkirche, 2012
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Varsovie, perspective de la rue Piwna, 1945, 2012
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Guernica, 1937, 2012
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Oil in glass and acrylic and spray paint under glass
123.5 x 78.3cm
48.62 x 30.83 in
Cadavres ennemis, Anonyme (J.D), 2014
oil on glass, radiant oil and synthetic painting with spray under glass
153.5 x 108.5cm
60.43 x 42.72 in
oil on glass, radiant oil and synthetic painting with spray under glass
153.5 x 108.5cm
60.43 x 42.72 in
Maisons détruites, Ostende, 1940, 2013
oil in glass and acrylic and spray paint under glass
108.8 x 67.5cm
42.83 x 26.57 in
oil in glass and acrylic and spray paint under glass
108.8 x 67.5cm
42.83 x 26.57 in
Champs de bataille (Hermann-Paul), 2014
Oil on glass, ashes, pigments and binder under glass
120.5 x 155.5cm
47.44 x 61.22 in
Oil on glass, ashes, pigments and binder under glass
120.5 x 155.5cm
47.44 x 61.22 in
Appareil de repérage des avions par le son, 1918,, 2012
oil in glass and acrylic and spray paint under glass
141 x 103.5cm
55.51 x 40.75 in
oil in glass and acrylic and spray paint under glass
141 x 103.5cm
55.51 x 40.75 in
Tranchées, Anonyme (J.D.), 2014
Oil on glass, oil and synthetic painting with spray under glass
108.5 x 153.5cm
42.72 x 60.43 in
Oil on glass, oil and synthetic painting with spray under glass
108.5 x 153.5cm
42.72 x 60.43 in
Point de vue pris de la fenêtre, Niépce, 1827, 2013
oil in glass and acrylic and spray paint under glass
94.2 x 132.2cm
37.09 x 52.05 in
oil in glass and acrylic and spray paint under glass
94.2 x 132.2cm
37.09 x 52.05 in
Jardin potagé sur un toit de Paris, 1939,, 2012
oil in glass and acrylic and spray paint under glass
101.8 x 129.5cm
40.08 x 50.98 in
oil in glass and acrylic and spray paint under glass
101.8 x 129.5cm
40.08 x 50.98 in
Le Bois Nachet sous la neige, 24 janvier 1917, vue, 2013
Oil in glass and spray paint under glass
157 x 117cm
61.81 x 46.06 in
Oil in glass and spray paint under glass
157 x 117cm
61.81 x 46.06 in
La fenêtre du Sphinx, Grottes de Bétharram, Pyrénées, 2013
Oil in glass and spray paint under glass
164.5 x 114.7cm
64.76 x 45.16 in
Oil in glass and spray paint under glass
164.5 x 114.7cm
64.76 x 45.16 in
Figurines anciennes, Vautours, 2012
Oil in glass and spray paint under glass
32 x 52cm
12.60 x 20.47 in
Oil in glass and spray paint under glass
32 x 52cm
12.60 x 20.47 in
Flying bedstead accident, 2012
Oil on glass and spray paint under glass
70 x 90cm
27.56 x 35.43 in
Oil on glass and spray paint under glass
70 x 90cm
27.56 x 35.43 in
Hôtel de Cabre épargné par le dynamitage de Marsei, 2013
Oil in glass and spray paint under glass
78.2 x 108.3cm
30.79 x 42.64 in
Oil in glass and spray paint under glass
78.2 x 108.3cm
30.79 x 42.64 in
Malevitch sur son lit de malade, vers 1934, 2011
Oil in glass, oil-based paint under glass
33.5 x 36cm
13.19 x 14.17 in
Oil in glass, oil-based paint under glass
33.5 x 36cm
13.19 x 14.17 in
Le Ras Safsafah, Sinaï, 2013
oil in glass and radiated paint under glass
54.5 x 40cm
21.46 x 15.75 in
oil in glass and radiated paint under glass
54.5 x 40cm
21.46 x 15.75 in
Jean-Marc Cerino
Born in 1965, in Bourgoin-Jallieu, France.
Lives and works in Saint Étienne, France.
After he graduated in Fine Art, Jean-Marc Cerino settled in Saint Étienne, where he worked for the Museum of modern Art and become teacher at the School of Fine Art of Nîmes.
In addition to participate in exhibitions, Jean-Marc Cerino is invited in numerous conferences and seminars, he contributes in several publishing and projects with contemporary philosophers. He is also a member of the editorial board of the review De(s)générations.
Lives and works in Saint Étienne, France.
After he graduated in Fine Art, Jean-Marc Cerino settled in Saint Étienne, where he worked for the Museum of modern Art and become teacher at the School of Fine Art of Nîmes.
In addition to participate in exhibitions, Jean-Marc Cerino is invited in numerous conferences and seminars, he contributes in several publishing and projects with contemporary philosophers. He is also a member of the editorial board of the review De(s)générations.
Jean-Marc Cerino is a painter. He paints with wax or encaustic, a technique well known since the Antiquity that requires a meticulous and perfectly controlled know-how. During the XVIIIth century, the interest for antiquity provoked a great influence for this technique and its history. In the XXth century, few but not least important painters, Jasper Johns, Victor Brauner, Brice Marden, devoted themselves to its practice. Today, in a different way, Philippe Cognée and Jean-Marc Cerino have recourse to it as to claim their faith in the durability of painting. Jean-Marc Cerino incorporates his models and representations into a timelessness emphasized. However the artist works from photographs, flat images whose representations are deported outside of any reality by the technique and this from the shot time. The artist, with the choice of wax painting or walnut stain on a transparent support, highlights the fact that he doesn't paint these images as people want to reduce the real reality today, that is to say life in history. He paints from photographs in order to restore the truth anterior and posterior to the images that transcends the frame.
Solo shows at Ceysson Gallery
Jean-Marc Cerino, Saint-Etienne
May 26 - July 23, 2016
Jean-Marc Cerino, Paris
February 02 - March 23, 2013
Jean-Marc Cerino, Saint-Etienne
March 10 - May 15, 2010
Group shows at Ceysson Gallery
Bagarre Générale - 5 Ans, Saint-Etienne
March 24 - May 15, 2011
Exhibition to the gallery Bernard Ceysson
2009
Exposition Collective, Bagarre Générale / Dessins, Galerie Bernard Ceysson, Saint-Etienne, voir la fiche de l'exposition.
Jean-Marc Cerino, Saint-Etienne
May 26 - July 23, 2016
Jean-Marc Cerino, Paris
February 02 - March 23, 2013
Jean-Marc Cerino, Saint-Etienne
March 10 - May 15, 2010
Group shows at Ceysson Gallery
Bagarre Générale - 5 Ans, Saint-Etienne
March 24 - May 15, 2011
Exhibition to the gallery Bernard Ceysson
2009
Exposition Collective, Bagarre Générale / Dessins, Galerie Bernard Ceysson, Saint-Etienne, voir la fiche de l'exposition.
Christine Blanchet-Vaque, Le nouveau choeur de l'église de Vassieux en Vercors : oeuvres de Jean-Marc Cerino et Carmelo Zagari, Arts, cultures et foi, n°37, septembre 2007, p. 14 à 16. (coécrit avec le frère Marc Chauveau, op)
Christine Blanchet-Vaque, Entretien avec Jean-Marc Cerino, actes du colloque Du spirituel dans l'art contemporain, Palais du Luxembourg, 31 janvier et 1er février 2003.Paris, éd. Ereme, 2003, p. 45 à 49.
Christine Blanchet-Vaque "A propos du projet de vitraux de la collègiale Saint-Barnard à Romans-sur-Isère", Vitraux d'ici, vitraux d'ailleurs, propos d'artistes, catalogue d'exposition, Grignan, éd. Complicités, 2001, 77p.
Catalogues ou éditions consacrés au travail de Jean-Marc Cerino
Dépositions II, Musée de Bourgoin-Jallieu, 2009.
Guillaume le Blanc, Lettre à un ami que je ne connais pas
Dans les lanières des seuils, Monastère royal de Brou, collection Varia, Fage édition, 2008.
Karim Ghaddab, Inventaire après liquidation
John Berger, Survivre aux murs
Jean-Marc Cerino, Hôtel Rivet, #22, 2008.
Daniel Dobbels, L'inconvenance du corps
Dépositions III, 2006.
Bernard Stiegler, Le temps de la prison
Dépositions I, Villa du Parc, 2005.
Michel Gaillot, Jean-Marc Cerino, Le lieu en offrande
Jean-Marc Cerino. Savoir, c'est se souvenir, Musée de Bourgoin-Jallieu, 2001.
Itzhak Goldberg, L'impression de la mémoire
Les Portefays, Éditions des Cahiers Intempestifs, 2000.
Frédéric Parmentier, Savoir, c'est se souvenir
Être, c'est être perçu, Éditions des Cahiers Intempestifs, 1999.
Jean-Claude Conésa, "Esse, est percipi"
Jean-Luc Nancy, Passage
Jean-Marc Cerino, SICMMAT Art Contemporain, 1996.
Jacques Beauffet, Jean-Marc Cerino
Christine Blanchet-Vaque, Entretien avec Jean-Marc Cerino, actes du colloque Du spirituel dans l'art contemporain, Palais du Luxembourg, 31 janvier et 1er février 2003.Paris, éd. Ereme, 2003, p. 45 à 49.
Christine Blanchet-Vaque "A propos du projet de vitraux de la collègiale Saint-Barnard à Romans-sur-Isère", Vitraux d'ici, vitraux d'ailleurs, propos d'artistes, catalogue d'exposition, Grignan, éd. Complicités, 2001, 77p.
Catalogues ou éditions consacrés au travail de Jean-Marc Cerino
Dépositions II, Musée de Bourgoin-Jallieu, 2009.
Guillaume le Blanc, Lettre à un ami que je ne connais pas
Dans les lanières des seuils, Monastère royal de Brou, collection Varia, Fage édition, 2008.
Karim Ghaddab, Inventaire après liquidation
John Berger, Survivre aux murs
Jean-Marc Cerino, Hôtel Rivet, #22, 2008.
Daniel Dobbels, L'inconvenance du corps
Dépositions III, 2006.
Bernard Stiegler, Le temps de la prison
Dépositions I, Villa du Parc, 2005.
Michel Gaillot, Jean-Marc Cerino, Le lieu en offrande
Jean-Marc Cerino. Savoir, c'est se souvenir, Musée de Bourgoin-Jallieu, 2001.
Itzhak Goldberg, L'impression de la mémoire
Les Portefays, Éditions des Cahiers Intempestifs, 2000.
Frédéric Parmentier, Savoir, c'est se souvenir
Être, c'est être perçu, Éditions des Cahiers Intempestifs, 1999.
Jean-Claude Conésa, "Esse, est percipi"
Jean-Luc Nancy, Passage
Jean-Marc Cerino, SICMMAT Art Contemporain, 1996.
Jacques Beauffet, Jean-Marc Cerino