Ceysson & Bénétière

Born in 1983, in Montreal, Canada.
Lives and works New York, USA.

Education

2011
MFA San Francisco Art Institute, San Francisco, USA

2006
BFA Nova Scotia College of Art and Design, Halifax, Canada

Group shows at Ceysson Gallery
Feed the Meter, Wandhaff
September 23 - December 16, 2017

Combustible Cocktail, Offsite
July 08 - July 30, 2017

FEED THE METER, Wandhaff
September 26, 2015 - January 30, 2016


Solo shows

2017
The Parting of the Green Sea, Fourteen30 Contemporary, Portland, USA

2016
NADA Miami Beach with Stems Gallery, Miami, USA
Peaceful Alien, The Pit II, Los Angeles, USA
White Columns, New York, USA
Frog in Fence, Halsey McKay, East Hampton, USA
Pretend Soup, David Petersen Gallery, Minneapolis, USA
Bunnicula, with Jennifer Sullivan, Marvin Gardens, Ridgewood, USA

Group shows

2017
Ear Putty, curated by Esme Thompson-Turcotte, 56 Henry, New York, USA
Combustible Cocktail, Ceysson & Benetiere, Sag Harbor, USA
Unobstructed Views, presented by MOCAD and Library Street Collective, Hawkins Ferry House, Grosse Pointe, USA
Fleeting Impressions and Abundance of Detail, Tif Sigfrids, Los Angeles, USA
Landscape Modern Oil Painting Canvas Painting Abstract Oil Painting Wall Hanging, curated by Jir Sandel, Galleri Benoni, Copenhagen, Denmark
Bicoastal, curated by Lara Bjork, Meyer Vogl, Charleston, USA
New Spring, curated by John-Elio Reitman, Ghostfeaturefilm.com
Say Yes, curated by Kimia Ferdowsi Kline, Elaine L. Jacob's Gallery at Wayne State University, Detroit, USA

2016
Freud's Mouth, curated by Ebony Haynes, Cooper Cole, Toronto, Canada
Bruise, curated by Chris Hood, Et al., San Francisco, USA
Hybrid Objects, L'inconnue, Montreal, Canada
Outside, curated by Matthew Higgs, Karma, Amagansett, USA
Katherine Bradford, Sarah Braman, Al Freeman, Adrianne Rubenstein, Harper's Books, East Hampton, USA
We Like Explosions, The Pit, Los Angeles, USA
X, Lyles & King, New York, USA
Super Sketchy, Alleyoop Projects, New York, USA
So Much, So Little, All at Once, curated by Yevgeniya Baras, Regina Rex, New York, USA
A Short Story, Field Contemporary, Vancouver, Canada
Sibling Rivalries, curated by Ashley Garrett, Torrance Museum of Art, Torrance, USA

2015
Form is Not Different From Emptiness, curated by Ryan Schneider, Left Field, San Luis Obispo, USA
Feed the Meter, curated by Wallace Whitney, Galerie Bernard Ceysson, Wandhaff, Luxembourg
Wind Chimes, curated by Shanna Waddel, Bannerette, Brooklyn, USA
Muscular, curated by John McAllister, Kansas Gallery, New York, USA

2014
What Was the Question ?, David Petersen Gallery, Minneapolis, USA
Anthropocene, CANADA, New York, USA

2013
William Deloitte, Alicia Gibson, Adrianne Rubenstein, Derek Eller Gallery, New York, USA
Shut Up, Weirdo, curated by Brandy Carstens, 247365, Brooklyn, USA
The Fruit that Ate Itself, et al., San Francisco, USA

Curatorial Projects

2017
Geranium, Stems Gallery, Brussels, Belgium
We might not have a planet left soon, 68projects, Berlin, Germany

2016
Fort Greene, Venus over Manhattan, Los Angeles, USA

2015
Maraschino, Fourteen30 Contemporary, Portland, USA

2014
If you throw a spider out the window, does it break ?, Brennan & Griffin, New York, USA

2013
Snail Salon, Regina Rex, Ridgewood, USA
Forget About the Sweetbreads, co-curated with Joanne Greenbaum, James Fuentes, New York, USA

Press

2017
Stephanie Snyder, "Critics Pick", Artforum, March 2017
Richard Speer, "Adrianne Rubenstein", Visual Art Source, March 2017

2016
John Chiaverina, "Rema Hort Mann Foundation names 2016 New York Emerging Artist Grantees", Artnews, November 2016
Bridget Gleeson, "Inspired by Tetsumi Kudo, a New York Painter Makes Contact", Artsy, October 2016
Claire de Dobay Rifelj, "Fort Greene at VENUS LA", Contemporary Art Review Los Angeles, October 2016
Mark Segal, "Four Painters at Harper's Books", The East Hampton Star, August 2016
Anna Furney "Anna Furney's Guide to Summer's Best Exhibits", Harper's Bazaar, July 2016
Roberta Smith, "Pam Glick, Annie Pearlman, Adrianne Rubenstein, Alyson Vega", The New York Times, June 2016
Maria Calandra, "Adrianne Rubenstein", Pencil in the Studio, June 2016
Diane Solway, "Four Artists to Know Now at White Columns, Including an Instagram Discovery", W Magazine, June 2016

2015
Megan Burbank, "Fruit Loops: Lisa Frank, Art History Major, at Fourteen30 Contemporary", Portland Mercury, March 2015

2014
Thomas Micchelli, "More Now than Then: When Art Reaches Back", Hyperallergic, August 2014

2013
Roberta Smith, "Forget About the Sweetbreads Review", The New York Times, January 2013
Andrew Russeth, "Forget About the Sweetbreads Review", New York Observer, January 2013